Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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HARDCOVER. Etat : Acceptable. First. Cambridge University Press. HARDCOVER. 1992. 0521401585 :Dust jacket is soiled and scuffed and has a long cut across the front, repaired with tape. Pages are sunned/soiled. From the personal collection of poet/publisher/photographer, Jonathan Williams (1929-2008) at Skywinding Farm, Scaly Mountain North Carolina. 327pp. . Acceptable. First. N° de réf. du vendeur 0521401585-01
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Hardcover. Etat : Good. Etat de la jaquette : Good. Highlighting & underlining to text; binding tight; minor wear to dustjacket. 327 pages. Illustrated. Size: 6" x 9". N° de réf. du vendeur S215-051765
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Vendeur : CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
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Hardcover. Etat : Fine. Etat de la jaquette : Fine. Not Indicated. First edition. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history. N° de réf. du vendeur 045651
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Vendeur : Aardvark Rare Books, Bucknell, SHROP, Royaume-Uni
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