Lincoln Faller describes and discusses some of the ways in which Defoe's crime fiction relates to the ordinary, popular narrative form which it imitates.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This book seeks to recover something of the original excitement, challenge and significance of Defoe's four novels of criminal life by reading them within and against the conventions of early eighteenth-century criminal biography. Crime raised deeply troubling questions in Defoe's time, not least as a powerful sign of the breakdown of traditional social authority and order. Arguing that Defoe's novels, like criminal biography, provided ways of facing and working through, as well as avoiding, certain of the moral and intellectual difficulties that crime raised for him and his readers, Faller shows how the 'literary', even 'aesthetic' qualities of his fiction contributed to these ends. Analysing the ways in which Defoe's novels exploited, deformed and departed from the genre they imitated, this book attempts to define the specific social and political (which is to say moral and ideological) value of a given set of 'literary' texts against those of a more 'ordinary' form of narrative.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521420865. N° de réf. du vendeur 9848525
Quantité disponible : 1 disponible(s)
Vendeur : The Private Library, London, Royaume-Uni
Etat : Very Good. From the Library of John Russell Taylor. N° de réf. du vendeur PL-10117-L16
Quantité disponible : 1 disponible(s)
Vendeur : Webbooks, Wigtown, Wigtown, Royaume-Uni
Hard Cover. Etat : Good. No Jacket. First Edition. From an academic library with the usual stamps etc. Author's inscription to title page. A00022410. N° de réf. du vendeur A00022410
Quantité disponible : 1 disponible(s)
Vendeur : killarneybooks, Inagh, CLARE, Irlande
Hardcover. Etat : Good+. Etat de la jaquette : Very Good. 1st Edition. Hardcover, xix + 263 pages, NOT ex-library. Faint age-discolourations on outer page edges, some internal creases, else little wear. Book is clean and bright, with unmarked text and firm binding, free of inscriptions and stamps. Dust jacket shows gentle sunning to the spine and edges, a bit of edgewear. -- This book seeks to recover something of the original excitement, challenge, and significance of Defoe's four novels of criminal life by reading them within and against the conventions of early eighteenth-century criminal biography. Crime raised deeply troubling questions in Defoe's time, not least because it seemed a powerful sign of the breakdown of traditional social authority and order. Arguing that Defoe's novels provided ways of facing working through, as well as avoiding, certain of the moral and intellectual difficulties that crime raised for him and his readers, Faller shows how the "literary," even "aesthetic" qualities of his fiction contributed to these ends. Analyzing the various ways in which Defoe's novels exploited, deformed, and departed from the genre they imitate, this book attempts to define the specific social and political (which is to say moral and ideological) value of a given set of "literary" texts against those of a more "ordinary" form of narrative. Moll Flanders, Colonel Jack, and Roxana are given extended readings in individual chapters. Other topics considered at length include the vexed question of Defoe's realism, his own version of reader response theory and how he deploys it, the novels' structural imitation of providential design, and his recurrent, almost obsessive effort to blunt or deny the commonly held notion that trade was somehow equivalent to theft. --Contents: 1. Romancing the Real: The "Field" of Criminal Biography 2. Defoe's Realism: Rough Frames, Strange Voices, Surprisingly Various Subjects and Readers Made More Present to Themselves 3. The Copious Text: Opening the Door to Inference, or, Room for Those Who Know How to Read It 4. Intimations of an Invisible Hand: The Mind Exercised, Enlarged, and Kept in Play by Strange Concurrences 5. The General Scandal Upon Business: Unanswerable Doubts, and the Text as a Field Supporting Very Nice Distinctions 6. The Frontiers of Dishonesty, the Addition and Concurrence of Circumstances: More on the Strategic Situating of Names 7. Notions Different From All the World: Criminal Stupidity, the Self and the Symbolic Order; Closing Comments: Truth, Complexity, Common Sense, and Empty Spaces. N° de réf. du vendeur 009059
Quantité disponible : 1 disponible(s)