Synopsis
Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Présentation de l'éditeur
Performance models have received increasing attention in the theoretical move towards open texts. Conceptions of open, reader-based or audience-based texts have paralleled the questioning of rational, authority-driven modes of knowledge. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge. This volume contains the annual bibliography of comparative literature for the year 1989. It contains numerous intriguing articles. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century, whilst Drew Milne examines the challenge to Aristotle's theory of tragedy made by Augusto Boal's 'Theatre of the Oppressed' in Latin America. A rich variety of performance media and genres is presented in this volume. The important Russian writer Mikhail Bulgakov is being performed again in new productions in Russia; Lesley Milne reports on The White Guard in Moscow and Kiev, and Patrick Miles translates the previously censored scenes of the play.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Comparative Criticism: Volume 14, Knowledge and Performance (Comparative Criticism, Series Number 14)
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Hardcover. Etat : Very Good. Comparative Criticism: Volume 14, Knowledge and Performance (Comparative Criticism, Series Number 14) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9780521431040
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Comparative Criticism: Volume 14, Knowledge and Performance (Comparative Criticism, Series Number 14)
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ISBN 10 : 0521431042
ISBN 13 : 9780521431040
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Hardcover. Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 6545-9780521431040
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Comparative Criticism: Knowledge and Performance (Volume 14)
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Cambridge University Press, 1992
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ISBN 13 : 9780521431040
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Etat : Good. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780521431040. N° de réf. du vendeur 5588428
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Knowledge and Performance. = Comparative Criticism, Vol 14.
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Comparative Criticism: Volume 14, Knowledge and Performance
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Cambridge University Press, Cambridge, United Kingdom, 1992
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Comparative Criticism Volume 14
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Cambridge University Press, Cambridge, 1992
ISBN 10 : 0521431042
ISBN 13 : 9780521431040
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Comparative Criticism: Volume 14, Knowledge and Performance (Comparative Criticism, Series Number 14)
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Cambridge University Press, 1992
ISBN 10 : 0521431042
ISBN 13 : 9780521431040
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Comparative Criticism: Volume 14, Knowledge and Performance (Comparative Criticism, Series Number 14)
Edité par
Cambridge University Press, 1992
ISBN 10 : 0521431042
ISBN 13 : 9780521431040
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Comparative Criticism: Volume 14, Knowledge and Performance (Comparative Criticism, Series Number 14)
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Cambridge University Press, 1992
ISBN 10 : 0521431042
ISBN 13 : 9780521431040
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Comparative Criticism: Volume 14, Knowledge and Performance (Hardcover)
Edité par
Cambridge University Press, Cambridge, 1992
ISBN 10 : 0521431042
ISBN 13 : 9780521431040
Neuf
Couverture rigide
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
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Hardcover. Etat : new. Hardcover. Performance models have received increasing attention in the theoretical move towards open texts. Conceptions of open, reader-based or audience-based texts have paralleled the questioning of rational, authority-driven modes of knowledge. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. Wittgenstein's role in the shift of philosophy towards the inquiry into the uses of language is explored by the late Peter Stern on 'Wittgenstein and Literature', and by Peter Hughes on Wittgenstein's difficulty with Shakespeare. Henriette Herwig looks at the role of signs in Kafka, Derrida and Pierce. Drew Milne examines the challenge to Aristotle's theory of tragedy made by Augusto Boal's 'Theatre of the Oppressed' in Latin America. A rich variety of performance media and genres is presented in this volume.The important Russian writer Mikhail Bulgakov is being performed again in new productions in Russia; Lesley Milne reports on The White Guard in Moscow and Kiev, and Patrick Miles translates the previously censored scenes of the play. Kleist's classic essay on the marionette theatre, in a new translation by David Paisey, recasts the metaphor 'all the world's a stage' for modern times. The interpretation/translation by wellknown translator Harry Guest of Alain Bosquet's poem 'Your blood: some sort of epic'; translations of a short story by Charles Cros by lain White and of an episode of Witold Gombrowicz's novel Trans-Atlantyk by George Hyde; a prize-winning radio dialogue from Sweden by Lars l,Jeberg, with his introduction, and a BBC radio play by Gabriel Josipovici. Hannah Vincent's adaptation of Kafka's short story The Burrow for the stage won her a very well-received production at the Young Writer's Festival at the Royal Court Theatre Upstairs in 1988. This volume contains the annual bibliography of comparative literature for the year 1989. Literary theory's stress on performance leads back, paradoxically, to the exploration of practical knowledge - skills, intuition, wisdom. Michael Robinson's leading article examines the mutually defining properties of (female) gender and performance in the nineteenth century. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521431040
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