These essays investigate the complex and developing interaction between performance and authenticity in the arts.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hard Cover. Etat : Very Good. Etat de la jaquette : Good. Very slight creasing to edges of unclipped dustwrapper, otherwise a very good clean tight copy of this hard-cover book, part of the publisher's "Cambridge Studies in Philosopy and the Arts" series. A collection of twelve pieces by different authors on aspects of "the complex and developing interaction between performance and authenticity in the arts". 274pp Size: 8vo - over 7¾" - 9¾" tall. N° de réf. du vendeur 012628
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Hardcover. Etat : new. Hardcover. This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics, and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts. Brings together a distinguished group of scholars to investigate the complex and developing interaction between performance and authenticity in the arts. Subjects discussed include the experiences of religious and aesthetic authenticity, the performance of music, and the dark side of performance - its constant susceptibility to inauthenticity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521454193
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