The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.
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The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.
"...Ronen's book is a most valuable and exciting contribution of great interest to two communities of specialized readers: those interested in the general dynamics of theory formation in cultural studies and those whose interests focus on one central issue in this sphere, fictional worlds and their constitutive domains." Uri Margolin, Style
"...illuminates the logic underlying an important interdisciplinary borrowing and constitutes a powerful reassessment of fictional narrativity. It is a splendid performance." Gerald Prince, Language of Design
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular. N° de réf. du vendeur 00108500584
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular. N° de réf. du vendeur CIN0521456487G
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR004311775
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Paperback. Etat : New. The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular. N° de réf. du vendeur LU-9780521456487
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. The philosophical concept of 'possible worlds' used to explain theoretical problems of fictionality and narrativity. Series Editor(s): Cascardi, Anthony J.; Macksey, Richard A. Series: Literature, Culture, Theory. Num Pages: 260 pages, black & white illustrations. BIC Classification: DSA; DSK. Category: (P) Professional & Vocational. Dimension: 217 x 138 x 16. Weight in Grams: 346. . 2008. First Edition. paperback. . . . . N° de réf. du vendeur V9780521456487
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Paperback. Etat : New. N° de réf. du vendeur 6666-IUK-9780521456487
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