As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. Embodied Voices explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. Embodied Voices explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance.
'... a stimulating book which keeps its focus true despite the almost perverse range of subject matter ... [a] dizzying intellectual switchback.' The Musical Times
'... this book makes a bold step in addressing, not least, the future of musicological discourse; namely, whether and how to (dis)locate the boundaries between the musical and the 'extra-musical'. Thus, it should excite anyone interested in the fundamental issue of the meaning of music in our culture.' Brio
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0521460123I3N10
Quantité disponible : 1 disponible(s)
Vendeur : Solr Books, Lincolnwood, IL, Etats-Unis
Etat : good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition. N° de réf. du vendeur BCV.0521460123.G
Quantité disponible : 1 disponible(s)
Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Acceptable. Used - Acceptable. Ex-library with wear - may contain significant amounts of highlighting and underlining in pen or pencil. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-S-024-02747
Quantité disponible : 1 disponible(s)
Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Etat : Gut. XVII; 254 Seiten; Illustr.; Noten; graph. Darst.; 23,5 cm; fadengeh. Orig.-Pappband. Gutes Ex.; leichte Gebrauchs- u. Lagerspuren; ex-library; Stempel; Bibliotheksexemplar. - Englisch. - INHALT : List of illustrations Notes on contributors Acknowledgments Introduction ----- PART I ----- Vocality, textuality, and the silencing of the female voice ----- The Gorgon and the nightingale: the voice of female lament and Pindar's twelfth Pythian Ode ----- CHARLES SEGAL ----- Music and the maternal voice in Purgatorio XIX ----- NANCY A. JONES ----- Ophelia's songs in Hamlet: music, madness, and the feminine LESLIE C. DUNN ----- Wordsworth and Romantic voice: the poet's song and the prostitute's cry ----- SARAH WEBSTER GOODWIN PART II ----- Anxieties of audition ----- "No women are indeed": the boy actor as vocal seductress in late sixteenth- and early seventeenth-century English drama ----- LINDA PHYLLIS AUSTERN ----- Deriding the voice of Jeanette MacDonald: notes on psychoanalysis and the American film musical ----- EDWARD BARON TURK ----- Adorno and the Sirens: tele-phono-graphic bodies ----- Barbara Engh ----- PART III ----- Women artists: vocality and cultural authority The diva doesn't die: George Eliot's Artngart ----- REBECCA A. POPE ----- Rewriting Ophelia: fluidity, madness, and voice in Louise Colet's La Servante ----- JANET BEIZER ----- Staring the camera down: direct address and women's voices ----- AMY LAWRENCE ----- The voice of lament: female vocality and performative efficacy in the Finnish-Karelian itkuvirsi ----- ELIZABETH TOLBERT PART IV ----- Maternal voices ----- The lyrical dimensions of spirituality: music, voice, and language in the novels of Toni Morrison ----- KARLA F. C. HOLLOWAY ----- Red hot mamas: Bessie Smith, Sophie Tucker, and the ethnic maternal voice in American popular song ----- PETER ANTELYES ----- Maternalism and the material girl ----- NANCY J. VICKERS ----- Index. ISBN 0521460123 Sprache: Englisch Gewicht in Gramm: 550. N° de réf. du vendeur 1238920
Quantité disponible : 1 disponible(s)