A study of American sculpture with themes of labour and manliness.
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"Dabakis' study illuminates the contributions of both public monuments and genre sculptures to contemporary understandings of the value of labor. It is important and innovative in its insistence that constructing meanings for these works was a historically mediated and at times ideologically combative process that actively engaged patrons, artists, and also viewers." Helen Langa, The Journal of American History
"...engaging, provocative, and beautifully designed book. This book's signal achievement is its effective melding of the traditional strengths of art history...For public historians, Dabakis opens up sources and approaches that enrich our consideration of the ways that public memory is expressed, shaped, and contested." The Public Historian
"a sophisticated combination of social and art historical analysis." American Historical Review
"Dabakis has done an extraordinary job researching each of these monumenting to discern the evolving and intertwing discourses about gender, work, and politics that surround each sculptural project...provides helpful historical background" Winterthur Portfolio 36:1
"Offering a refreshing thematic approach to a study of American sculpture, this book connects the subject of American labor in both large- and small-scale sculpture to the context of history, gender roles, and even the dynamics of labor-management." Choice
Originally published in 1999, Visualizing Labor in American Sculpture focuses on representations of work in American sculpture, from the decade in which the American Federation of Labor was formed, to the inauguration of the federal works project that subsidized American artists during the Great Depression. Monumental in form and commemorative in function, these sculptural works provide a public record of attitudes toward labor in a transitional moment in the history of relations between labor and management. Melissa Dabakis argues that sculptural imagery of industrial labor shaped attitudes towards work and the role of the worker in modern society. Restoring a group of important monuments to the history of labor, gender studies and American art history, her book focuses on key monuments and small-scale works in which labor was often constituted as 'manly' and where the work ethic mediated both production and reception.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR014844037
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hardcover. Etat : very good(+). Etat de la jaquette : near fine. First. Lightly illustrated in b/w. 296 pages. Small, narrow 4to, tan cloth, d.w. Cambridge: Cambridge University Press, (1999). A very good(+) copy with slight dog-earing to a handful of pages; in a near fine dust wrapper. N° de réf. du vendeur 309806
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Hardcover. Cream cloth, brown & illus. dust jacket in mylar cover, 296 pp., 82 BW illus. "Focuses on representations of work in American sculpture, from the decade in which the American Federation of Labor was formed, to the inauguration of the federal works project that subsidized American artists during the Great Depression." (dj). VG (Light edgewear to boards; interior is clean; binding is solid.) VG- (Light edgewear to DJ,with mild smudging and scuffing, but wholly intact.). N° de réf. du vendeur 194872
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Etat : New. A study of American sculpture with themes of labour and manliness. Series Editor(s): Hills, Patricia; Boime, Albert; McCoy, Garnett; Stokes Sims, Lowery; Smith, Terry; Stein, Roger. Series: Cambridge Studies in American Visual Culture. Num Pages: 314 pages, 81 b/w illus. BIC Classification: 1KBB; ACV; ACX; AFK; JHBL. Category: (P) Professional & Vocational. Dimension: 253 x 177 x 19. Weight in Grams: 775. . 1999. Illustrated. hardcover. . . . . N° de réf. du vendeur V9780521461474
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