This is the first book to provide an introduction to music editing, including the history of the field, and the issues and problems encountered. The preparation of editions for performance and study is one of the most important activities and contributions of the music scholar to cultural life. Through accessible editions, previously unknown music enters the repertory, while well-known works receive fresh interpretations. James Grier examines music editing from the early music repertory to contemporary works, including a number of genres from opera to the symphony. Grier also examines the future of music editing and its application on CD-ROM and related electronic media.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This is the first book to provide an introduction to music editing, including the history of the field, and the issues and problems encountered. The preparation of editions for performance and study is one of the most important activities and contributions of the music scholar to cultural life. Through accessible editions, previously unknown music enters the repertory, while well-known works receive fresh interpretations. James Grier examines music editing from the early music repertory to contemporary works, including a number of genres from opera to the symphony. Grier also examines the future of music editing and its application on CD-ROM and related electronic media.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This is the first book to provide an introduction to music editing, including the history of the field, and the issues and problems encountered. The preparation of editions for performance and study is one of the most important activities and contributions of the music scholar to cultural life. Through accessible editions, previously unknown music enters the repertoire, while well-known works receive fresh interpretations. Through a series of test cases, James Grier examines music editing from the early music repertoire to contemporary works, including a number of genres from opera to the symphony. Grier also examines the future of music editing and its application on CD-ROM and related electronic media. An introduction to music editing, including its history, and the issues and problems encountered. It examines music editing from the early music repertory to contemporary works, including a number of genres from opera to the symphony. Grier also examines the future of music editing and its application on CD-ROM and related electronic media. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521558631
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Paperback. Etat : New. This is the first book to provide an introduction to music editing, including the history of the field, and the issues and problems encountered. The preparation of editions for performance and study is one of the most important activities and contributions of the music scholar to cultural life. Through accessible editions, previously unknown music enters the repertory, while well-known works receive fresh interpretations. James Grier examines music editing from the early music repertory to contemporary works, including a number of genres from opera to the symphony. Grier also examines the future of music editing and its application on CD-ROM and related electronic media. N° de réf. du vendeur LU-9780521558631
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