Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and André Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Péret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative clichés, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs.
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Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and André Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Péret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative clichés, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Paperback. Etat : New. Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and André Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Péret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative clichés, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs. N° de réf. du vendeur LU-9780521619875
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Etat : New. pp. 268 Index. N° de réf. du vendeur 26516279
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 268 Illus. N° de réf. du vendeur 7364456
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. A new analysis of Surrealist collage in France, leading to a radical reassessment of Surrealism. Series Editor(s): Sheringham, Michael. Series: Cambridge Studies in French. Num Pages: 268 pages, 25 b/w illus. BIC Classification: AFJD. Category: (P) Professional & Vocational. Dimension: 187 x 247 x 14. Weight in Grams: 496. . 2008. Illustrated. paperback. . . . . N° de réf. du vendeur V9780521619875
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. pp. 268, Abbreviations Acknowledgements. N° de réf. du vendeur 18516285
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9780521619875_new
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