Articles liés à The Historical Performance of Music: An Introduction

The Historical Performance of Music: An Introduction - Couverture rigide

Lawson, Colin; Stowell, Robin

 
9780521621939: The Historical Performance of Music: An Introduction
Couverture rigide
ISBN 10 : 0521621933 ISBN 13 : 9780521621939
Editeur : Cambridge University Press, 1999

Synopsis

Offering students and performers a concise overview of historical performance, this 1999 book takes into account the many significant developments in the discipline. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c.1700–c.1900, the core period which forms the principal (though not exclusive) focus for the whole series.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

Offering students and performers a concise overview of historical performance, this 1999 book takes into account the many significant developments in the discipline. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c.1700–c.1900, the core period which forms the principal (though not exclusive) focus for the whole series.

Revue de presse

' ... offers a wealth of wisdom ... I hope it may open windows in many minds.' The Musical Times

'It introduces ideas, concerns and approaches which will be new to many readers and practitioners, and it wil without doubt be invaluable to students.' Early Music Today

'... offer many stimulating asides and tantalising titbits, particularly when dealing with such controversial areas as the links between rhetorical theory and music; tast; rhythmic freedom; ornamentation and improvisation. Throughout ... their arguments are short, and sharp enough to whet the appetite, and he thirsty reader will surely want to go in search of more.' BBC Music Magazine

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Cambridge University Press
Date d'édition
1999
Langue
anglais
ISBN 10 
0521621933
ISBN 13 
9780521621939
Reliure
Relié
Nombre de pages
236
Coordonnées du fabricant
non disponible
Personne responsable
Avery
https://www.avery.fr/

chemin des peupliers 27
Dardilly
France