Articles liés à Rap Music and the Poetics of Identity
Synopsis
This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general. Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines 'music theory' as meaning simply 'theory about music', in which musical poetics (the study of how musical sound is deployed) may play a crucial role when its claims are contextualized and demystified. Theorizing local and global geographies of rap, Krims discusses at length the music of Ice Cube, the Goodie MoB, KRS-One, Dutch group the Spookrijders, and Canadian Cree rapper Bannock.
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Présentation de l'éditeur
This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general. Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines 'music theory' as meaning simply 'theory about music', in which musical poetics (the study of how musical sound is deployed) may play a crucial role when its claims are contextualized and demystified. Theorizing local and global geographies of rap, Krims discusses at length the music of Ice Cube, the Goodie MoB, KRS-One, Dutch group the Spookrijders, and Canadian Cree rapper Bannock.
Revue de presse
"...students and scholars who accept the academic importance of the rap idiom (an idealization of rap is already taking place in the works of young composers -- Gregory Walker, for example) will appreciate this contribution to the literature on contemporary music." Choice
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- ÉditeurCambridge University Press
- Date d'édition2000
- ISBN 10 0521634474
- ISBN 13 9780521634472
- ReliureBroché
- Langueanglais
- Nombre de pages232
- Coordonnées du fabricantnon disponible
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Rap Music and the Poetics of Identity
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Cambridge University Press, 2000
ISBN 10 : 0521634474
ISBN 13 : 9780521634472
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Rap Music and the Poetics of Identity
Edité par
Cambridge University Press, 2000
ISBN 10 : 0521634474
ISBN 13 : 9780521634472
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New Perspectives in Music History and Criticism: Rap Music and the Poetics of Identity
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Cambridge University Press, 2000
ISBN 10 : 0521634474
ISBN 13 : 9780521634472
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Rap Music and the Poetics of Identity (New Perspectives in Music History and Criticism, Series Number 5)
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Cambridge University Press, 2000
ISBN 10 : 0521634474
ISBN 13 : 9780521634472
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Rap Music and the Poetics of Identity
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Rap Music and the Poetics of Identity (New Perspectives in Music History and Criticism, Series Number 5)
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Cambridge University Press, 2000
ISBN 10 : 0521634474
ISBN 13 : 9780521634472
Neuf
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Rap Music and the Poetics of Identity (New Perspectives in Music History and Criticism)
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Cambridge University Press 2000-04-27, 2000
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ISBN 13 : 9780521634472
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Rap Music and the Poetics of Identity
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ISBN 10 : 0521634474
ISBN 13 : 9780521634472
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Rap Music and the Poetics of Identity (Paperback or Softback)
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Cambridge University Press 2/4/2003, 2003
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Paperback or Softback. Etat : New. Rap Music and the Poetics of Identity 0.74. Book. N° de réf. du vendeur BBS-9780521634472
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