This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general. Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines 'music theory' as meaning simply 'theory about music', in which musical poetics (the study of how musical sound is deployed) may play a crucial role when its claims are contextualized and demystified. Theorizing local and global geographies of rap, Krims discusses at length the music of Ice Cube, the Goodie MoB, KRS-One, Dutch group the Spookrijders, and Canadian Cree rapper Bannock.
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This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general. Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines 'music theory' as meaning simply 'theory about music', in which musical poetics (the study of how musical sound is deployed) may play a crucial role when its claims are contextualized and demystified. Theorizing local and global geographies of rap, Krims discusses at length the music of Ice Cube, the Goodie MoB, KRS-One, Dutch group the Spookrijders, and Canadian Cree rapper Bannock.
"...students and scholars who accept the academic importance of the rap idiom (an idealization of rap is already taking place in the works of young composers -- Gregory Walker, for example) will appreciate this contribution to the literature on contemporary music." Choice
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Vendeur : Zoom Books East, Glendale Heights, IL, Etats-Unis
Etat : good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. N° de réf. du vendeur ZEV.0521634474.G
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paperback. Etat : Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders. N° de réf. du vendeur 1656896
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Vendeur : Black Falcon Books, Wellesley, MA, Etats-Unis
Soft cover. Etat : Near Fine. Second printing, 2001. An entry in the New Perspectives in Music History and Criticism series. The book is square and unmarked; spine and wraps uncreased; Mylar protected. N° de réf. du vendeur 013849
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Soft cover. Etat : Very Good. Trade soft cover, 2nd printing. 8vo (6 x 9in.). Red wraps with orange and white titling. Photo insert on upper right. Slight upturn on cover corners, light signs of use. Clean pages, solid binding. Thoughtful, well-written overview of the musical and cultural components of rap music. N° de réf. du vendeur 001300
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Paperback or Softback. Etat : New. Rap Music and the Poetics of Identity. Book. N° de réf. du vendeur BBS-9780521634472
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