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Synopsis
An examination of modernism through a variety of adventure and romance narratives by, among others, Bram Stoker and Conan Doyle.
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Revue de presse
"...a first-rate and much-needed model for work on the genre for years to come...While thus offering a highly original reading of modernism, Daly's book is nonetheless at its most impressive when tracing the intricate ideological maneuvers of the only apparently thin-whitted romances of Stoker and his peers...Daly both sets a new standard for work on this genre and requires that those working elsewhere-on domestic fiction, modernism, the history of the middle classes-reconsider it." Victorian Studies
"I nonetheless find The Spectale of Intimacy a stimulating and satisfying book... One of the satisfying qualities of The Spectale of Intimacy is that it preserves a nice balance between the general and the specific enough but not too much of either- that nicely replicates the very method of their exploration of the relationship between the public and the private in Victorian society." Studies in the Novel
Présentation de l'éditeur
In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.
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Modernism, Romance and the Fin de Siècle : Popular Fiction and British Culture, 1880-1914
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Cambridge University Press, 2000
ISBN 10 : 0521641039
ISBN 13 : 9780521641036
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Modernism, Romance and the Fin de Siècle : Popular Fiction and British Culture, 1880-1914
Edité par
Cambridge University Press, 2000
ISBN 10 : 0521641039
ISBN 13 : 9780521641036
Ancien ou d'occasion
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Modernism, Romance and the Fin de Siècle : Popular Fiction and British Culture, 1880-1914
Edité par
Cambridge University Press, 2000
ISBN 10 : 0521641039
ISBN 13 : 9780521641036
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Modernism, Romance and the Fin de Siècle: Popular Fiction and British Culture
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Cambridge University Press, 2000
ISBN 10 : 0521641039
ISBN 13 : 9780521641036
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Modernism, Romance and the Fin de Siècle: Popular Fiction and British Culture
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ISBN 13 : 9780521641036
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ISBN 13 : 9780521641036
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Modernism, Romance and the Fin de Siecle
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ISBN 13 : 9780521641036
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Nicholas Daly explores the popular fiction of the romance revival of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular . N° de réf. du vendeur 446943400
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Hardcover. Etat : new. Hardcover. In Modernism, Romance, and the Fin de Siecle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on recent work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture. Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780521641036
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