This book, first published in 2000, gives an account of the interplay between literary and visual culture in the Russian modernist era.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations between writers, artists, designers, and theatre and cinema directors took place more intensively and productively than ever before or since. Equally striking was the incursion of spatial and visual motifs and structures into verbal texts. Verbal and visual principles of creation joined forces in an attempt to transform and surpass life through art. Yet willed transcendence of the boundaries between art forms gave rise to confrontation and creative tension as well as to harmonious co-operation. This collection of essays by leading British, American and Russian scholars, first published in 2000, draws on a rich variety of material - from Dostoevskii to Siniavskii, from writers' doodles to cabarets, from well-known modernists such as Akhmatova, Malevich, Platonov and Olesha to less well-known figures - to demonstrate the creative power and dynamism of Russian culture 'on the boundaries'.
Review of the hardback: 'A richly varied collection ... the standard is universally high ...' Modern Language Review
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Fine. Minor scratches. Set against the backdrop of the Russian modernist era, this collection of essays explores the profound interactions between literature and visual arts, highlighting the collaborative spirit among writers, artists, and directors. Scholars from various backgrounds analyze the creative tensions that emerged as art forms blended, showcasing the dynamic energy of Russian culture during this transformative period. The essays reveal how these interactions not only enriched artistic expression but also challenged traditional boundaries, fostering innovation and creativity. N° de réf. du vendeur 839416b7-0da4-4f8b-84d4-2a51fb93cb79
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In the Russian modernist era, literature threw itself open to influences from other art forms, particularly the visual arts. This collection of essays by leading British, American and Russian scholars, first published in 2000, draws on a rich variety of mat. N° de réf. du vendeur 446944199
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Hardcover. Etat : new. Hardcover. In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations between writers, artists, designers, and theatre and cinema directors took place more intensively and productively than ever before or since. Equally striking was the incursion of spatial and visual motifs and structures into verbal texts. Verbal and visual principles of creation joined forces in an attempt to transform and surpass life through art. Yet willed transcendence of the boundaries between art forms gave rise to confrontation and creative tension as well as to harmonious co-operation. This collection of essays by leading British, American and Russian scholars draws on a rich variety of material - from Dostoevskii to Siniavskii, from writers' doodles to cabarets, from well-known modernists such as Akhmatova, Malevich, Platonov and Olesha to less well-known figures - to demonstrate the creative power and dynamism of Russian culture 'on the boundaries'. In the Russian modernist era, literature threw itself open to influences from other art forms, particularly the visual arts. This collection of essays by British, American and Russian scholars draws on a variety of material to demonstrate the creative power of Russian culture 'on the boundaries' between genres. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780521661911
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Hardcover. Etat : new. Hardcover. In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations between writers, artists, designers, and theatre and cinema directors took place more intensively and productively than ever before or since. Equally striking was the incursion of spatial and visual motifs and structures into verbal texts. Verbal and visual principles of creation joined forces in an attempt to transform and surpass life through art. Yet willed transcendence of the boundaries between art forms gave rise to confrontation and creative tension as well as to harmonious co-operation. This collection of essays by leading British, American and Russian scholars draws on a rich variety of material - from Dostoevskii to Siniavskii, from writers' doodles to cabarets, from well-known modernists such as Akhmatova, Malevich, Platonov and Olesha to less well-known figures - to demonstrate the creative power and dynamism of Russian culture 'on the boundaries'. In the Russian modernist era, literature threw itself open to influences from other art forms, particularly the visual arts. This collection of essays by British, American and Russian scholars draws on a variety of material to demonstrate the creative power of Russian culture 'on the boundaries' between genres. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521661911
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