This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career. He shows how Shakespeare and other dramatists made use of Kemp's talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp's inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp's successor, Robert Armin, who created the 'fool' parts in Shakespeare.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career. He shows how Shakespeare and other dramatists made use of Kemp's talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp's inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp's successor, Robert Armin, who created the 'fool' parts in Shakespeare.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Solr Books, Lincolnwood, IL, Etats-Unis
Etat : acceptable. This book is in Acceptable condition. All pages are intact, but may have lots of notes, water damage or other issues and be ex library. N° de réf. du vendeur BCV.0521673348.A
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP91605400
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Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9780521673341
Quantité disponible : Plus de 20 disponibles
Vendeur : Chiron Media, Wallingford, Royaume-Uni
PF. Etat : New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-IUK-9780521673341
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career. He shows how Shakespeare and other dramatists made use of Kemp's talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp's inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp's successor, Robert Armin, who created the 'fool' parts in Shakespeare. N° de réf. du vendeur LU-9780521673341
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Focusing on the clown Will Kemp, this book shows how Shakespeare and other dramatists wrote specific roles as vehicles for him. Num Pages: 240 pages, black & white illustrations. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 216 x 149 x 18. Weight in Grams: 328. . 2008. Illustrated. paperback. . . . . N° de réf. du vendeur V9780521673341
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9780521673341
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Vendeur : Books Puddle, Woodside, NY, Etats-Unis
Etat : New. pp. 240 Index. N° de réf. du vendeur 26564548
Quantité disponible : 4 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Focusing on the clown Will Kemp, this book shows how Shakespeare and other dramatists wrote specific roles as vehicles for him. Num Pages: 240 pages, black & white illustrations. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 216 x 149 x 18. Weight in Grams: 328. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521673341
Quantité disponible : Plus de 20 disponibles
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand pp. 240 Illus. N° de réf. du vendeur 8331931
Quantité disponible : 4 disponible(s)