For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
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Alison Sharrock is Professor of Classics at the University of Manchester. She is also the author of Seduction and Repetition in Ovid's Ars Amatoria 2 (1994) and Fifty Key Classical Authors (with Rhiannon Ash, 2002), and co-editor of Intratextuality: Greek and Roman Textual Relations (with Helen Morales, 2000) and The Art of Love: Bimillennial Essays on Ovid's Ars Amatoria and Remedia Amoris (with Roy Gibson and Steven Green, 2006).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. This book argues that the comic plays of Plautus and Terence are sophisticated literary works requiring close attention from the reader. Series: The W. B. Stanford Memorial Lectures. Num Pages: 334 pages, black & white illustrations. BIC Classification: 2ADL; DSBB; DSG; HBLA1. Category: (U) Tertiary Education (US: College). Dimension: 228 x 152 x 22. Weight in Grams: 67. . 2009. hardcover. . . . . N° de réf. du vendeur V9780521761819
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Vendeur : Barnaby, Oxford, Royaume-Uni
Hardcover. Etat : Very Good. Dust jacket is fully intact, only lightly rubbed at edges. All pages clean, crisp and fresh. Overall, very sound and presentable. Publisher's note: For Many Years the Domain of Specialists in Early Latin, in Complex Metres, and in the Reconstruction of Texts, Roman Comedy Is Now Established in the Mainstream of Classical Literary Criticism. Where Most Books Stress the Original Performance as the Primary Location for the Encountering of the Plays, This Book Finds the Locus of Meaning and Appreciation in the Activity of a Reader, Albeit One Whose Manner of Reading Necessarily Involves the Imaginative Reconstruction of Performance. The Texts Are Treated, and Celebrated, as Literary Devices, With Programmatic Beginnings, Middles, Ends, and Intertexts. All the Extant Plays of Plautus and Terence Have at Least a Bit Part in This Book, Which Seeks to Expose the Authors' Fabulous Artificiality and Artifice, While Playing Along With Their Differing but Interrelated Poses of Generic Humility. Size: 22.9 x 15.2 x 2.2 cm. xi, 321 pp. Category: Literature & Literary; Latin drama (Comedy); Terence; Plautus, Titus Maccius; ISBN: 0521761816. ISBN/EAN: 9780521761819. Add. Inventory No: 260916HAD001021. N° de réf. du vendeur 260916HAD001021
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Etat : New. This book argues that the comic plays of Plautus and Terence are sophisticated literary works requiring close attention from the reader. Series: The W. B. Stanford Memorial Lectures. Num Pages: 334 pages, black & white illustrations. BIC Classification: 2ADL; DSBB; DSG; HBLA1. Category: (U) Tertiary Education (US: College). Dimension: 228 x 152 x 22. Weight in Grams: 67. . 2009. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521761819
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Etat : New. Print on Demand pp. 334 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam. N° de réf. du vendeur 8292768
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