A new theory of musical modernism, which brings contemporary philosophy into contact with music theory and interpretation.
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J. P. E. Harper-Scott is Reader in Musicology and Theory at Royal Holloway, University of London. He has published widely on Elgar, Wagner, Britten and symphonic music and opera of the late nineteenth and twentieth centuries and his books include Elgar Studies (edited with Julian Rushton), An Introduction to Music Studies (edited with Jim Samson) and Edward Elgar, Modernist. His work has strong intersections with continental philosophy and psychoanalysis (Heidegger, Badiou, Žižek and Lacan) and has increasingly come to espouse an explicitly Leftist perspective.
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Hardcover. black cloth on board with black and color illustrated dust jacket. xxii, 277 pages : illustrations, music. contents as follows: A ruthless criticism Of everything existing. Modernism as we know it, ideology, and the quilting point -- Relationship problems. Modernism, love, and truth ; The love of Troilus and Cressida -- The revolutionary kernel of reactionary music. Communist modernism ; A new community -- Afterword : what to do? Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have interpreted it as a vital intellectual defence against totalitarianism, yet some American critics consider it elitist, undemocratic, and even unnatural. Drawing extensively on the philosophy of Heidegger and Badiou, Quilting Points proposes a new dialectical theory of faithful, reactive, and obscure subjective responses to musical modernism, which embraces all the music of Western modernity. Like new with instances of marginalia by a knowledgable hand and a moderate amount of very light pencil underlining throughout. N° de réf. du vendeur 174247
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. J. P. E. Harper-Scott s book proposes a new theory of musical modernism, bringing contemporary philosophy into contact with music theory and interpretation. It explores the capacity for music to challenge cultural and political ideas and provides a critique. N° de réf. du vendeur 545048353
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