Michelangelo's Last Judgment was the most criticized and discussed painting of the sixteenth century. The subject of the Last Judgment has been a barometer of cultural mood throughout history. It can be interpreted, as Michelangelo did, as the moment when mortals attain immortal bliss or, in more unsettled times, as the terrifying moment when we face the justice of the Lord and are found wanting. The painting must hold in tension admonition and celebration. Michelangelo created his fresco in the final flowering of Renaissance humanism. Four years after its unveiling, the Council of Trent began meeting and the Counter-Reformation was under way. Caught on the cusp of a major shift of values, Michelangelo and his fresco were praised by lovers of art and condemned by conservative churchmen who sought a tool with which to exhort the wavering faithful, tempted to defect to Protestantism. This book explores the context, both historical and biographical, in which the fresco was created and the debates about the style and function of religious art that it generated.
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Michelangelo's Last Judgment was the most criticized and discussed painting of the sixteenth century. The subject of the Last Judgment has been a barometer of cultural mood throughout history. It can be interpreted, as Michelangelo did, as the moment when mortals attain immortal bliss or, in more unsettled times, as the terrifying moment when we face the justice of the Lord and are found wanting. The painting must hold in tension admonition and celebration. Michelangelo created his fresco in the final flowering of Renaissance humanism. Four years after its unveiling, the Council of Trent began meeting and the Counter-Reformation was under way. Caught on the cusp of a major shift of values, Michelangelo and his fresco were praised by lovers of art and condemned by conservative churchmen who sought a tool with which to exhort the wavering faithful, tempted to defect to Protestantism. This book explores the context, both historical and biographical, in which the fresco was created and the debates about the style and function of religious art that it generated.
"An excellent general summary of current scholarshipWith its wide-ranging topics and high level of scholarship, the book should prove a useful supplement in the study of this important work of art." Choice
"an excellent review of recent scholarship for advanced students" - Martha Dunkelman
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Michelangelo's Last Judgment was the most criticized and discussed painting of the sixteenth century. The subject of the Last Judgment has been a barometer of cultural mood throughout history. It can be interpreted, as Michelangelo did, as the moment when mortals attain immortal bliss or, in more unsettled times, as the terrifying moment when we face the justice of the Lord and are found wanting. The painting must hold in tension admonition and celebration. Michelangelo created his fresco in the final flowering of Renaissance humanism. Four years after its unveiling, the Council of Trent began meeting and the Counter-Reformation was under way. Caught on the cusp of a major shift of values, Michelangelo and his fresco were praised by lovers of art and condemned by conservative churchmen who sought a tool with which to exhort the wavering faithful, tempted to defect to Protestantism. This book explores the context, both historical and biographical, in which the fresco was created and the debates about the style and function of religious art that it generated. N° de réf. du vendeur 00108645272
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Paperback. Etat : Very Good. Pap. Minimal shelf-wear; clean internals. N° de réf. du vendeur 2043656
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Michelangelo's Last Judgment was the most criticized and discussed painting of the sixteenth century. The subject of the Last Judgment has been a barometer of cultural mood throughout history. It can be interpreted, as Michelangelo did, as the moment when mortals attain immortal bliss or, in more unsettled times, as the terrifying moment when we face the justice of the Lord and are found wanting. The painting must hold in tension admonition and celebration. Michelangelo created his fresco in the final flowering of Renaissance humanism. Four years after its unveiling, the Council of Trent began meeting and the Counter-Reformation was under way. Caught on the cusp of a major shift of values, Michelangelo and his fresco were praised by lovers of art and condemned by conservative churchmen who sought a tool with which to exhort the wavering faithful, tempted to defect to Protestantism. This book explores the context, both historical and biographical, in which the fresco was created and the debates about the style and function of religious art that it generated. N° de réf. du vendeur CIN0521783682G
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Softcover. Etat : Very good. Great condition. Cover is bright, and binding is tight. Pen markings on first few pages, but text is otherwise clean and unmarked. N° de réf. du vendeur 1157795
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Vendeur : Classic Books and Ephemera, IOBA, Lansdowne, PA, Etats-Unis
Paperback. Etat : Near Fine. xiv, 194 p.: illustrations; 23 cm. Paperback with color illustrated cover. Part of the series Masterpieces of Western Painting. Michelangelo painted the fresco The Last Judgment on the altar wall of the Sistine Chapel in Vatican City from 1536 to 1541. "This book explores the context, both historical and biographical, in which the fresco was created and the debates about the style and function of religious art that it generated." -- back cover. In Near Fine Condition: edges lightly rubbed; clean and tight. N° de réf. du vendeur 009849
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Vendeur : St Philip's Books, P.B.F.A., B.A., Oxford, Royaume-Uni
Binding sound, text unmarked. Etat : Near Fine. No ownership marks. Minor splash marks to top edges. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. Size: xiii, 194pp. N° de réf. du vendeur ZZ5257
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Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 3185728
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Vendeur : Main Point Books, Edinburgh, Royaume-Uni
Soft cover. Etat : Very Good. N° de réf. du vendeur 000137
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Etat : New. N° de réf. du vendeur I-9780521783682
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