Articles liés à Author's Pen and Actor's Voice

Author's Pen and Actor's Voice - Couverture souple

Weimann

 
9780521787352: Author's Pen and Actor's Voice
Couverture souple
ISBN 10 : 0521787351 ISBN 13 : 9780521787352
Editeur : Cambridge University Press, 2008

Synopsis

In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Revue de presse

'Robert Weimann's study is indispensable for an understanding of the complex play of authority and appropriation in the Elizabethan theatre. Any serious consideration of the relation between text and performance, any analysis of the struggle for the control of theatrical interpretation, any sustained reflection on the crossing of the threshold from reality to the play-world and back again would do well to begin here with this brilliant book.' Stephen Greenblatt

'In this book Weimann again charts new ground, by reading Shakespeare's searching interrogation of the two modes of production in which he worked: writing and acting. He challenges us to reimagine Shakespearean drama as an art that is inclusive as well as contestatory.' W. B. Worthen

'Robert Weimann has written an extraordinary book - bold and original in its conception, sophisticated and surprising in its execution. It is scrupulous in its research and rigorous in its argument, energetic in its prose and agile in its readings. Weimann leads us once again to rethink much of what we thought we knew about Elizabethan plays.' David Scott Kastan

'... impressively detailed... The breadth of Robert Weiman's research and the depth of his thought are evident on every page.' New Theatre Quarterly

Présentation de l'éditeur

In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Cambridge University Press
Date d'édition
2008
Langue
anglais
ISBN 10 
0521787351
ISBN 13 
9780521787352
Reliure
Broché
Nombre de pages
316
Coordonnées du fabricant
non disponible
Personne responsable
Avery
https://www.avery.fr/

chemin des peupliers 27
Dardilly
France