This book, first published in 2005, opens up the much neglected area of the black African presence in Western Europe during the Renaissance. Covering history, literature, art history and anthropology, it investigates a whole range of black African experience and representation across Renaissance Europe, from various types of slavery to black musicians and dancers, from real and symbolic Africans at court to the view of the Catholic Church, and from writers of African descent to black African 'criminality'. The main purpose of the collection is to show the variety and complexity of black African life in fifteenth- and sixteenth-century Europe, and how it was affected by firmly held preconceptions relating to the African continent and its inhabitants. Of enormous importance for both European and American history, this book mixes empirical material and theoretical approaches, and addresses such issues as stereotypes, changing black African identity, and cultural representation in art and literature.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
T. F. Earle is King John II Professor of Portuguese Studies at the University of Oxford.
K. J. P. Lowe is Professor of Renaissance History and Culture at Queen Mary, University of London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Hardcover. Etat : Good. [Interesting provenance: From the private library of renowned historian, Philip D. Morgan.] Hardcover and dust jacket. Shelf wear. Binding slightly cocked. Contains Philip Morgan's personal notes. xvii, 417 pages : illustrations, maps ; 26 cm. "This book opens up the almost entirely neglected area of the black African presence in Western Europe during the Renaissance. Covering history, literature, art history and anthropology, it investigates a whole range of black African experience and representation across Renaissance Europe, from various types of slavery to black musicians and dangers, from real and symbolic Africans at court to the views of the Catholic Church, and from writers of African descent to black African 'criminality.'" From the professional library of Dr. Philip D. Morgan, a professor of History at Johns Hopkins University. Morgan specializes in the African-American experience, the history of slavery, the early Caribbean, and the study of the early Atlantic world. Morgan is the author of more than 14 books on Colonial America and African American history. He has won both the Bancroft Prize and the Frederick Douglass Prize for his book Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (1998). N° de réf. du vendeur 2504290047
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Hardcover. Etat : Brand New. 417 pages. 9.75x7.50x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __0521815827
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0521815827
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book, first published in 2005, explores the whole range of black African experience and representation across Renaissance Europe. It offers an interdisciplinary guide to the variety and complexity of black African life in fifteenth- and sixteenth-centu. N° de réf. du vendeur 446948520
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