The late antique Church father, Augustine, fascinated writers of the Italian Renaissance. They perceived him to be a conduit of classical and Christian truths, and an example of the life of the intellect reconciled to a life of faith. This book traces the availability and the reception of Augustine from the fourteenth to the mid-sixteenth century, and discusses the saint's influence on thinkers and humanists, such as Petrarch, as well as his representation in works of art. The religious order who claims him as their founder sponsored several major fresco cycles portraying the life of the saint, while, in single portraits, artists alluded to Augustine's aesthetic theory as it was manifest in his concept of divine illumination. The Sistine Chapel represents the fulfillment of his theological and philosophical legacy, one that began in the fifteenth century and extended through the completion of Michelangelo's 'Last Judgment'.
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The late antique Church father, Augustine, fascinated writers of the Italian Renaissance. They perceived him to be a conduit of classical and Christian truths, and an example of the life of the intellect reconciled to a life of faith. This book traces the availability and the reception of Augustine from the fourteenth to the mid-sixteenth century, and discusses the saint's influence on thinkers and humanists, such as Petrarch, as well as his representation in works of art. The religious order who claims him as their founder sponsored several major fresco cycles portraying the life of the saint, while, in single portraits, artists alluded to Augustine's aesthetic theory as it was manifest in his concept of divine illumination. The Sistine Chapel represents the fulfillment of his theological and philosophical legacy, one that began in the fifteenth century and extended through the completion of Michelangelo's 'Last Judgment'.
'... the book under review is innovative in exploring his influence on the fine arts, principally painting.' Art Newspaper
' Meredith Gill has written a shrewd and discerning account of a topic that deserves more consideration.' The Art Book
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 68367125-6
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Vendeur : Warwick Books, member IOBA, South Pasadena, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition, second printing. Hardcover in dust jacket. First edition, second printing. Book is in Like New condition, clean, crisp, unmarred. Dust jacket is also in Like New condition. Illustrated throughout. 4to. 281 pp. N° de réf. du vendeur 97218
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Vendeur : De Boeken van Wouter, Amsterdam, NEDER, Pays-Bas
Etat : Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. O29 V32-7. N° de réf. du vendeur 9780521832144
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Vendeur : art longwood books, Gloucester, MA, Etats-Unis
Hard Cover. Etat : Near Fine Plus. Etat de la jaquette : Fine. Second Printing. cloth, hardcover in dust jacket., bottom edge has a black mark, 3/4" long. in every other regard this is a fine copy, no other flaws or wear. no text markings. no bumps, tears, clips. tight binding.; english text., xiv- 281pp., seven color plates. 61 b/w illustrations. Size: 4to - over 9¾" - 12" tall. N° de réf. du vendeur 22962
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
hardcover w/ dj. Etat : Sehr gut. 306 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). Very good, clean copy. The late antique Church father, Augustine, fascinated writers of the Italian Renaissance. They perceived him to be a conduit of classical and Christian truths, and an example of the life of the intellect reconciled to a life of faith. This book traces the availability and the reception of Augustine from the fourteenth to the mid-sixteenth century, and discusses the saint's influence on thinkers and humanists, such as Petrarch, as well as his representation in works of art. The religious order who claims him as their founder sponsored several major fresco cycles portraying the life of the saint, while, in single portraits, artists alluded to Augustine's aesthetic theory as it was manifest in his concept of divine illumination. The Sistine Chapel represents the fulfillment of his theological and philosophical legacy, one that began in the fifteenth century and extended through the completion of Michelangelo's 'Last Judgment'. ISBN 9780521832144 Sprache: Englisch Gewicht in Gramm: 908. N° de réf. du vendeur 1222752
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