An invaluable introduction for students to the purpose and scope of scenography, its theories and concepts, pioneers and future potential.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Joslin McKinney is Lecturer in Scenography at the University of Leeds.
Philip Butterworth was formerly Reader in Medieval Theatre and Dean for Research at the University of Leeds.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. What is scenography, and how can it enhance our understanding of theatrical events? Who are the key scenographic innovators, and how does scenography provide contemporary perspectives on classic texts? Addressing these questions, and many more, this book in. N° de réf. du vendeur 594764715
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Hardcover. Etat : new. Hardcover. Scenography - the manipulation and orchestration of the performance environment - is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists. What is scenography, and how can it enhance our understanding of theatrical events? Who are the key scenographic innovators, and how does scenography provide contemporary perspectives on classic texts? Addressing these questions, and many more, this book introduces readers to this key topic, its theories, pioneers and future potential. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780521847650
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Hardcover. Etat : new. Hardcover. Scenography - the manipulation and orchestration of the performance environment - is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists. What is scenography, and how can it enhance our understanding of theatrical events? Who are the key scenographic innovators, and how does scenography provide contemporary perspectives on classic texts? Addressing these questions, and many more, this book introduces readers to this key topic, its theories, pioneers and future potential. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521847650
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