James Grier documents the musical activities of Adémar de Chabannes, eleventh-century monk, historian, homilist and tireless polemicist for the apostolic status of Saint Martial, patron saint of the abbey that bore his name in Limoges. Adémar left behind some 451 folios of music with notation in his autograph hand, a musical resource without equal before the seventeenth century. He introduced, at strategic moments, pieces familiar from the standard liturgy for an apostle and items of his own composition. These reveal Adémar to be a supremely able designer of liturgies and a highly original composer. This study analyses his accomplishments as a musical scribe, compiler of liturgies, editor of existing musical works and composer; it also offers a speculative consideration of his abilities as a singer; and finally, it places Adémar's musical activities in the context of liturgical, musical and political developments at the abbey of Saint Martial in Limoges.
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James Grier is Professor of Music History at the University of Western Ontario.
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Etat : New. A study of the musical activities of Ademar de Chabannes, the eleventh-century monk. Num Pages: 384 pages, 60 music examples. BIC Classification: 1DDF; 3H; AVH; HRCX8. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 25. Weight in Grams: 758. . 2006. Illustrated. hardcover. . . . . N° de réf. du vendeur V9780521856287
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Etat : New. A study of the musical activities of Ademar de Chabannes, the eleventh-century monk. Num Pages: 384 pages, 60 music examples. BIC Classification: 1DDF; 3H; AVH; HRCX8. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 25. Weight in Grams: 758. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521856287
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