Arnold Schoenberg is widely regarded as one of the most significant and innovative composers of the twentieth century. It is commonly assumed that Schoenberg's music divides into three periods: tonal, atonal, and serial. It is also assumed that Schoenberg's atonal music made a revolutionary break with the past, particularly in terms of harmonic structure. This book challenges both these popular notions. Haimo argues that Schoenberg's 'atonal' music does not constitute a distinct unified period. He demonstrates that much of the music commonly described as 'atonal' did not make a complete break with prior practices, even in the harmonic realm, but instead transformed the past by a series of incremental changes. An important and influential contribution to the field, Haimo's findings help not only to re-evaluate Schoenberg, but also to re-date much of what has been defined as one of the most crucial turning points in music history.
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Ethan Haimo is a theorist and composer, and lectures in the Department of Music, University of Notre Dame.
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Etat : New. A study of the innovative music of the twentieth-century composer, Arnold Schoenberg. Series: Music in the Twentieth Century. Num Pages: 444 pages, 136 music examples. BIC Classification: AVGC6; AVH. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 25. Weight in Grams: 1032. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521865425
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