Articles liés à New Paths: Verse, Prose, Pictures 1917-1918

New Paths: Verse, Prose, Pictures 1917-1918 - Couverture souple

 
9780548853863: New Paths: Verse, Prose, Pictures 1917-1918

Synopsis

New Paths: Verse, Prose, Pictures 1917-1918 is a book published in 1918 by Cyril William Beaumont. The book is a collection of literary works and artwork from the years 1917-1918. The pieces included in the book are a mixture of poetry, prose, and illustrations. The book is divided into several sections, each containing works by different artists and writers. The first section features poetry by various poets, including Rupert Brooke and Wilfred Owen. The second section contains prose pieces by writers such as D.H. Lawrence and Virginia Woolf. The third section showcases artwork by artists such as Walter Sickert and Augustus John. The book is a fascinating glimpse into the artistic and literary world of the early 20th century. It provides a snapshot of the creative output of some of the most influential artists and writers of the time. Overall, New Paths: Verse, Prose, Pictures 1917-1918 is a valuable resource for anyone interested in the art and literature of the early 20th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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Présentation de l'éditeur

By FRANCIS BICKLEY BUT for occasional and negligible echoes, the poetic movement of the nineties, the decadent movement, as we call it for convenience, has long been over ;its poets are dead or have come to see life in fresh, less crepuscular lights ;and such characteristic work of the school as is still worth reading would go into a ver slender volume. Nevertheless, these poets had their virtue ;they sang some songs whose melody still haunts us ;and they rendered one positive service to literature :if their mode of writing was rather too self-conscious and rather anaemic in its simplicity, it was a necessary and effective protest against the Acridity of the romantic decline. But the few small fields which, among all those in healthier epochs considered fruitful for the artist, they deigned to cultivate, were soon worked to barrenness ;and there followed a silence broken only by the antiphonal trumpetings, strenuous rather than melodious, of Kipling and Watson, and the undertones, too little regarded, of a few such sincere and admirable poets as Sturge Moore and Laurence Binyon. Then came the Georgian renaissance, and English poetry quickened with sudden, or seeming sudden, new life, which stirred not only in men themselves new to literature but in others who had served their prenticeship, with more or less of promise, during the lean years. This new poetry is, in one of its many aspects, a reaction against the decadents; a reaction not of optimism against pessimism but of Catholicism against eclecticism. While the decadents were undeniably pessimists, the writers of the present generation are not necessarily, or usually, optimists. They accept the whole of life, but they are not victims of the illusion that it has an essential tendency to improve. They are realists. Their attitude towards the most common theme of poetry is worth considering in this connecti
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