But this subject is a part of a larger one, connected with which are many underlying principles and practical inferences not mentioned here, although some of them, apparently, are not outside even of the limited range of discussion prescribed for this book by its title. To obviate the criticism which the omission of any reference to these may naturally occasion, it seems necessary to state that Poetry as a Representative Art is only one of a series of essays, most of which have been thought out, many written, and the whole, when completed, intended to present topics arranged somewhat as follows :T he Distinction between Nature and Art Between Useful and Esthetic Art The different Theories held concerning the Latter, and their Effects upon its Products The true Theory, its Philosophical Basis, and the Classification of the Arts as determined by it. The Fact of Representation, and its Bearings upon the Methods of the different Arts Poetry as a representative Art the present work) Representation in Music Painting Sculpture and A rchitecture.
(Typographical errors above are due to OCR software and don't occur in the book.)
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