This volume approaches Purim festivities, literature and artworks in the light of political theories of sovereignty to consider how performances and aesthetics negotiate and reconstruct remembered, ongoing and anticipated threat.
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Jo Carruthers is Senior Lecturer at the University of Lancaster, UK.
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Paperback. Etat : new. Paperback. This book approaches the holiday of Purim as profane, freed to human use and ends, in order to consider the political legacy of the biblical story of Esther in festival and art works. Jo Carruthers explores carnival and synagogue practices, the purimshpil (Purims own dramatic genre), illuminated Esther scrolls, as well as artworks by Botticelli, Millais and Jan Steen. The complex and astute interrogation of political life in such festival and artworks is analysed through theories of sovereignty, law, precarity and hospitality by key political thinkers such as Giorgio Agamben, Hannah Arendt, Walter Benjamin, Judith Butler, Jacques Derrida, and Jacques Ranciere. Carruthers considers different motifs of boundary conservation and dissolution, as a means of contemplating the political implications of Purim and the Esther story for diaspora politics. How is sovereignty aspired to and attained by marginalized and threatened communities? How can one respond to the ethical call of hospitality to relax sovereign boundaries whilst protecting and celebrating that which is exceptional? The practice of giving gifts, mishloach manos, offers a model of hospitality that together with Purims profane impulse is epitomized in the final chapters discussion of a 2018 Brooklyn purimshpil, that offers a riotous ridiculing of white supremacist rhetoric, norms of domination, capitalist inequalities, modern slavery and ablest identities and assumptions. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780567702319
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