'Some of the most exhilarating writing about theatre ever committed to paper, a beady and original analysis of Britain (and incidentally British theatre) in the 50s and 60s, a profound account of the evolution of modern Australia, and a darkly frank one of the inner life of its author. His arguments with England are in the end arguments with himself, but they are utterly engrossing.' SIMON CALLOW, Guardian
'This beautifully written book by the director Michael Blakemore puts most such volumes to shame. It is full of both sharp insights and sudden shafts of wisdom. Often wonderfully funny, it is also touching and painfully honest. By the time you have finished Arguments with England, the author feels like an unusually wise and sympathetic friend.' Sunday Telegraph
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Michael Blakemore arrived in the UK from Australia in 1950. He spent fifteen years as an actor before directing at the Glasgow Citizens' Theatre. He became Associate Director of the National Theatre under Olivier, and directed him in, among others, Long Day's Journey into Night. He has directed new work by dramatists as diverse as Arthur Miller, Peter Nichols, Michael Frayn, David Hare, Peter Schaffer, Don DeLillo, Woody Allen and David Mamet. At the 2000 Tony Awards he won an unprecedented double as Best Director of both a play, Copenhagen, and a musical, Kiss Me Kate. He has written and directed two films, and is the author of the novel, Next Season. His memoir, Arguments with England finishes where Stage Blood begins.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. In the days when Australians called England 'home', Michael Blakemore, an eager young man en route to RADA, made the long sea voyage to 1950s London to find himself in a distinctly foreign country . . . And so began his struggle to come to terms with the realities of a less than perfect Promised Land.Candid observations about life and art, from his shock on witnessing the poverty in the North to his sense of excitement on reading the works of Proust and Webster, sit beside colourful escapades at drama school and recollections of working with characters such as John Osborne and Tyrone Guthrie. Rescued from the horrors of weekly rep by an exhilarating tour behind the Iron Curtain in Peter Brook's Titus Andronicus with Vivien Leigh and Laurence Olivier, Blakemore recalls life as an actor before his directorial success with A Day in the Death of Joe Egg propelled him to the National Theatre and the start of a glittering career. 'Some of the most exhilarating writing about theatre ever committed to paper, a beady and original analysis of Britain (and incidentally British theatre) in the 50s and 60s, a profound account of the evolution of modern Australia, and a darkly frank one of the inner life of its author. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780571224463
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