Articles liés à All Gates Open: The Story of Can

All Gates Open: The Story of Can - Couverture rigide

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Young, Rob; Schmidt, Irmin

 
9780571311491: All Gates Open: The Story of Can

Synopsis

A unique study - part biography, part symposium - of the experimental group Can, by founding member Irmin Schmidt and acclaimed author Rob Young.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Rob Young has worked at The Wire magazine since 1993, including five years as editor. He is the author of Rough Trade and Warp, and the editor of Undercurrents: The Hidden Wiring of Modern Music and The Wire Primers: A Guide to Modern Music. He has contributed to publications including Uncut, the Guardian, Sight & Sound, Frieze and Art Review. He lives in London.

À propos de la quatrième de couverture

All Gates Open is a music book like no other. Its subject is Can, arguably the most important experimental group of the twentieth century. Formed in Cologne in 1968, Can drew their influences from the avant-garde - founding members Irmin Schmidt and Holger Czukay both studied under Stockhausen - and jazz traditions to create a heavily rhythmic, minimal music that redefined what it meant to be a popular band.

The book comprises two elements of equal weight: a biography of the group by Rob Young and a Symposium curated by Irmin Schmidt. The latter explores, in Irmin's own voice and that of his collaborators and admirers, the tentacular influence Can have had upon not just popular music, but also the visual arts, poetry and film.

Can have been a direct source of inspiration for numerous genres, notably ambient, post-punk and electronica. Their music was created entirely on its own terms, and All Gates Open defines both their story and their continuing legacy with parallel originality and insight.

À propos de la deuxième de couverture

All Gates Open is a music book like no other. Its subject is Can, arguably the most important experimental group of the twentieth century. Formed in Cologne in 1968, Can drew their influences from the avant-garde - founding members Irmin Schmidt and Holger Czukay both studied under Stockhausen - and jazz traditions to create a heavily rhythmic, minimal music that redefined what it meant to be a popular band.

The book comprises two elements of equal weight: a biography of the group by Rob Young and a Symposium curated by Irmin Schmidt. The latter explores, in Irmin's own voice and that of his collaborators and admirers, the tentacular influence Can have had upon not just popular music, but also the visual arts, poetry and film.

Can have been a direct source of inspiration for numerous genres, notably ambient, post-punk and electronica. Their music was created entirely on its own terms, and All Gates Open defines both their story and their continuing legacy with parallel originality and insight.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.