They (Faber Editions): The Lost Dystopian 'Masterpiece' (Emily St. John Mandel) - Couverture souple

Dick, Kay

Couverture souple

ISBN 10 : 0571370861 ISBN 13 : 9780571370863

Editeur : Faber & Faber, 2022

Synopsis

For fans of I Who Have Never Known Men, a 'creepily prescient' (Margaret Atwood) lost dystopian 'masterpiece' (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer.

'Ceepy, tense and strange.' Ian Rankin 'Delicious and sexy and downright chilling ... Read it!' Rumaan Alam 'The signature of an enchantress.' Edna O'Brien 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff 'Completely got under my skin.' Kiran Millwood Hargrave 'Lush, hypnotic, compulsive.' Eimear McBride 'A masterwork of English pastoral horror.' Claire-Louise Bennett 'A short shocker.' Andrew Hunter Murray

This is Britain: but not as we know it.
THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.
THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.
Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget ...

Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning.

A propos du livre

À propos de l'auteur

Kay Dick was a novelist, writer and editor. Born in London in 1915, she worked at Foyles bookshop before becoming the first female director of an English publishing house aged 26, editing authors such as George Orwell. She later reviewed for the New Statesman, Times, Spectator and Punch, as well as editing The Windmill under a pseudonym. Dick wrote five novels including They (1977), which won the South-East Arts Literature Prize but swiftly went out of print until it was recently rediscovered. She also wrote three biographies, edited anthologies and campaigned for Public Lending Right. For twenty-two years Dick lived with her long-term partner, the novelist Kathleen Farrell, in Hampstead. She later moved to Brighton, where she continued to champion fellow writers until her death in 2001.

À propos de la quatrième de couverture

As performed by Maxine Peake (‘visionary’): the radical dystopian classic, lost for forty years: in a nightmarish Britain, THEY are coming closer…

‘A creepily prescient tale … Insidiously horrifying!’ Margaret Atwood
‘A masterpiece of creeping dread.’ Emily St. John Mandel

This is Britain: but not as we know it.
THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks – and those who resist.
THEY capture dissidents – writers, painters, musicians, even the unmarried and childless – in military sweeps, ‘curing’ these subversives of individual identity.
Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget …

Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick’s They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity – and a warning.

‘Every bit as creepy, tense and strange as when I first read it 40 years ago.’ Ian Rankin
‘Delicious and sexy and downright chilling … Read it!’ Rumaan Alam
‘Crystalline … The signature of an enchantress.’ Edna O’Brien
‘I’m pretty wild about this paranoid, terrifying 1977 masterpiece.’ Lauren Groff
‘Deft, dread filled, hypnotic and hopeful. Completely got under my skin.’ Kiran Millwood Hargrave
‘Lush, hypnotic, compulsive … A reminder of where groupthink leads.’ Eimear McBride
‘A masterwork of English pastoral horror: eerie and bewitching.’ Claire-Louise Bennett
‘A short shocker: creepy, disturbing, distressing and highly enjoyable.’ Andrew Hunter Murray
‘Prophetic, chilling and a reminder from the past that we have everything to fight for in the future.’ Salena Godden

Détails de l'édition

• Éditeur: Faber & Faber
• Date d'édition: 2022
• Langue: anglais
• ISBN 10: 0571370861
• ISBN 13: 9780571370863
• Reliure: Broché
• Nombre de pages: 128
• Coordonnées du fabricant: Easy Access System Europe Oü, 16879218; gpsr.requests@easproject.com; ; Mustamäe tee 50, 10621, Tallinn, Estonia; Tallinn; 10621; Estonie