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Synopsis

Thomas Adès’s Violin Concerto ‘Concentric Paths’, written in 2005, is one of the most important additions to the violin concerto repertoire since Ligeti’s. Cast in three contrasting movements – each linked by a preoccupation with circling musical figures – the concerto, subtitled ‘Concentric Paths’ now occupies a place in standard repertoire. Two lithe, rhythmically driven movements – Rings and Rounds – bookend Paths, an intensely emotional and gritty exploration of passacaglia-like sequences, which peaks in a lyrical outpouring of exceptional beauty.

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