Synopsis
This series provides the student with accessible and authoritative' annotated editions of key texts in English and American literature from medieval to modern times. This is the first comprehensively-annotated selection of Hardy's poems, providing the student with essential guidance, from a full introduction to headnotes to each poem and detailed on-the-page annotation. It will be the leading edition of a major poet. Key Features * Features a very full selection of some 180 poems covering all the key aspects of Hardy's poetic career. On-the-page annotation provides all the information the student needs to make the poems work for her/him. Includes Hardy's own reflections on his poetry, making this a self-sufficient text for teaching and study.
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Quatrième de couverture
In Thomas Hardy: Selected Poems Tim Armstrong brings together over 180 poems in the first comprehensively annotated selection of Hardy’s poetry. Unlike most previous selections, this edition preserves the shape of the poet’s career by presenting the poems in the order in which they appeared in the Collected Poems of 1930, rather than re-ordering them thematically.
Head notes to each poem give the reader information about its composition, publication, sources and metrical scheme; on-the-page notes list significant variants in Hardy’s manuscripts, point out literary and other allusions, and give explanatory glosses. An appendix contains a selection of relevant passages from Hardy’s notebooks, letters, and autobiography; and a bibliography suggests further reading.
Tim Armstrong’s critical Introduction discusses Hardy’s career, his poetics, his use of memory and allusion and examines his position in the context of Victorian debates on aesthetics and belief. The generous selection of poems includes many lesser-known poems as well as those which have received most critical commentary, and the important elegiac sequence ‘Poems of 1912-13’ is included in its entirety.
Tim Armstrong is Professor of Modern English and American Literature at Royal Holloway, University of London, and author of Haunted Hardy: Poetry, History, Memory (2000).
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