Smart, sublime, and wickedly clever, The Smash-Up captures—then transcends—our current polarized moment
“An exhilarating ride . . . hilarious . . . a modern and energetic story about a marriage on the skids.”—The New York Times
Ethan has always been one of the good guys, and for years, nobody has appreciated this fact more than his wife, Zo. Until now. Jolted into activism by the 2016 election, Zo’s transformed their home into the headquarters for the local resistance, turning their comfortable decades-long marriage inside-out.
Meanwhile, their boisterous daughter, Alex, grows wilder by the day. Ethan’s former business partner needs help saving the media company they’d co-founded. Financial disaster looms. Enter a breezy, blue-haired millennial making her way through the gig economy. Suddenly Ethan faces a choice unlike any he’s ever had to make.
Unfolding over fivet urbulent days in 2018, The Smash-Up wrestles shrewdly with some of the biggest questions of our time: What, exactly, does it mean to be a good guy? What will it take for men to break the “bro code”? How does the world respond when a woman demands more? Can we ever understand another's experiences… and what are the consequences of failing to try? Moving, funny, and cathartic, this portrait of a marriage—and a nation—under strain is, ultimately, a magic trick of empathy, one that will make you laugh and squirm until its final, breathless pages.
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Ali Benjamin is the author of the young adult novel The Thing About Jellyfish, an international bestseller and a National Book Award finalist. Her The Next Great Paulie Fink was named a top children’s book of the year by Kirkus Reviews, Publishers Weekly, the New York Public Library, and the Los Angeles Public Library. Her work has been published in more than twenty-five languages in more than thirty countries. Originally from the New York City area, she now lives in Massachusetts. This is her first adult novel.
“What happened?”
Everyone asked the question, had been asking for over a year. They asked while watching the news, that shitstorm of headlines, jump-cut footage of marches and speeches and hand-Sharpied cardboard, an endless swirling blizzard—a siege, really—of protests and counter-protests, action and reaction, people screaming at each other in the street, neighbor vs. neighbor, friend vs. friend. (Or too often: friends no more. We were in new territory. People were learning they had limits.)
What happened? Reporters asked it in small-town diners over $7.50 lunch specials, BLTs cut into neat triangles, Heinz bottles perched like microphones on scratched formica tables.
What happened? People asked each other in church basements, community centers, gyms, coffee shops, living rooms where they came together to weep, process, scribble on postcards, plan the revolution.
What happened? Parents snapped off NPR mid-story, not wanting to answer questions from the backseat. College students climbed flagpoles, ripped down stars and bars. A giant inflatable chicken appeared behind the White House lawn, some sort of protest that no one entirely understood. Everything was some sort of protest now.
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