This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric ("Gongora", "Quevedo", and "Sor Juana"), English drama ("King Lear" and translations of "Seneca"), and French philosophy ("Descartes" and "Pascal"), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Christopher D. Johnson is Associate Professor of Comparative Literature at Harvard University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Gongora, Quevedo, and Sor Juana), English drama (King Lear and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780674053335
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Paperback. Etat : New. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Góngora, Quevedo, and Sor Juana), English drama (King Lear and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher D. Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. N° de réf. du vendeur LU-9780674053335
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Etat : New. Offers a comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, this title reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Series: Harvard Studies in Comparative Literature. Num Pages: 695 pages, frontispiece. BIC Classification: DSB. Category: (G) General (US: Trade). Dimension: 231 x 157 x 35. Weight in Grams: 980. . 2010. Paperback. . . . . N° de réf. du vendeur V9780674053335
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Etat : New. Offers a comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, this title reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Series: Harvard Studies in Comparative Literature. Num Pages: 695 pages, frontispiece. BIC Classification: DSB. Category: (G) General (US: Trade). Dimension: 231 x 157 x 35. Weight in Grams: 980. . 2010. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780674053335
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