While still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention to enter the clergy, when he-together with Morris-vowed to throw over the Church in favor of art. In Fiona MacCarthy's riveting account of Burne-Jones's life, that exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
In MacCarthy's hands, Burne-Jones emerges as a great visionary painter, a master of mystic reverie, and a pivotal late nineteenth-century cultural and artistic figure. Lavishly illustrated with color plates, The Last Pre-Raphaelite shows that Burne-Jones's influence extended far beyond his own circle to Freudian Vienna and the delicately gilded erotic dream paintings of Gustav Klimt, the Swiss Symbolist painter Ferdinand Hodler, and the young Pablo Picasso and the Catalan painters. Drawing on extensive research, MacCarthy offers a fresh perspective on the achievement of Burne-Jones, a precursor to the Modern, and tells the dramatic, fascinating story of this peculiarly captivating and elusive man.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Fiona MacCarthy was the author of William Morris: A Life for Our Time, winner of the Wolfson History Prize and the Writers' Guild Nonfiction Award, and the well-received Byron: Life and Legend. A former design correspondent for The Guardian and architecture critic for The Observer, she curated exhibits at the Victoria & Albert Museum and the National Portrait Gallery in London. MacCarthy was a Fellow of the Royal Society of Literature and a Senior Fellow at the Royal College of Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : MERS Goodwill, Saint Louis, MO, Etats-Unis
Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured. N° de réf. du vendeur 4J3P5N002AOS
Quantité disponible : 1 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Black/teal cloth over boards; gilt lettering on spine. Plum illus. dj with spring green lettering on spine. 629 pp. with 32 color plates, 33 bw archival photos, and occasional bw drawings. A new perspective on Burne-Jones as a man and artist and as separate from his friend and business partner, William Morris. Burne-Jones emerges as a visionary painter and pivotal late-19th-century cultural and artistic figure who influenced Freud's Vienna, Gustav Klimt, Ferdinand Hodler, Picasso in his young years, and Catalan painters. As new, with publisher's release letter laid in. N° de réf. du vendeur 149535
Quantité disponible : 1 disponible(s)
Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
hardcover. Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. N° de réf. du vendeur rev5854185593
Quantité disponible : 1 disponible(s)
Vendeur : James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. Bound in publisher's original blue and black cloth with spine stamped in gilt. Illustrated with photographic reproductions in color and black and white. 6 x 9 inches. 629 pages. N° de réf. du vendeur 9031160
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 656 pages. 9.75x6.50x2.00 inches. In Stock. N° de réf. du vendeur __0674065794
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 656 pages. 9.75x6.50x2.00 inches. In Stock. N° de réf. du vendeur 0674065794
Quantité disponible : 1 disponible(s)
Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0674065794
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Orderbook - wwb -----THE LAST PRE-RAPHAELITE: EDWARD BURNE-JONES AND THE VICTORIAN IMAGINATION. Fiona MacCarthy. Harvard University Press, Cambridge, 2012. Published in the UK by Faber and Faber Ltd, London, 2011. 696 pp. With 96 ills. (31 col. ). 24 x 16 cm. ISBN 9780674065796 In English. Artist(s) : Burne-Jones, Edward Indexing: Western, Europe â" Great Britain â" 1800-1900 â" Several Media, (Auto) Biography Plans: 71 Worldwide Number: 148373Hardcover $35.00x (libraries receive a 10% discount on this title) 99 / CHANGE0722022; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 696 pp. ; 96 illus. (31 in color. ) -- with a bonus offer--; In Fiona MacCarthy?s riveting account, Burne-Jones?s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century. (20120211). N° de réf. du vendeur 97812
Quantité disponible : 1 disponible(s)