"Lucid and elegant...a tour de force."
--A. O. Scott, Nation
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Helen Vendler (1933-2024) was a leading poetry critic and the author of nineteen books on poets from William Shakespeare to Seamus Heaney. A winner of the National Book Critics Circle Award for Criticism, she contributed regularly to the New Yorker, the New York Review of Books, the New York Times Book Review, London Review of Books, and the New Republic. She was the Arthur Kingsley Porter University Professor at Harvard University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. In her 1994 Richard Ellman lectures, eminent critic Helen Vendler explores the meaning and significance of major breaks in poetic style. Focusing on Gerard Manley Hopkins, Seamus Heaney, and Jorie Graham, she offers a new view of the interplay of moral, emotional, and intellectual forces in each poets work. N° de réf. du vendeur CIN0674081218G
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. In her 1994 Richard Ellman lectures, eminent critic Helen Vendler explores the meaning and significance of major breaks in poetic style. Focusing on Gerard Manley Hopkins, Seamus Heaney, and Jorie Graham, she offers a new view of the interplay of moral, emotional, and intellectual forces in each poets work. N° de réf. du vendeur CIN0674081218G
Quantité disponible : 1 disponible(s)
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 0674081218-11-1
Quantité disponible : 2 disponible(s)
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Paperback. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. N° de réf. du vendeur 0674081218-7-1
Quantité disponible : 1 disponible(s)
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR002149243
Quantité disponible : 2 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 621895-n
Quantité disponible : 6 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work.Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next-from "nounness" to the "betweenness" of an adverbial style-shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing to coverage, each with its own meaning in this poet's career.Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels-including the rhythmic, the grammatical, and the graphic. A fine study of three poets and a superb exposition of the craft of poetry, The Breaking of Style revives our lapsed sense of what style means. In her 1994 Richard Ellman lectures, eminent critic Helen Vendler explores the meaning and significance of major breaks in poetic style. Focusing on Gerard Manley Hopkins, Seamus Heaney, and Jorie Graham, she offers a new view of the interplay of moral, emotional, and intellectual forces in each poets work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780674081215
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 621895
Quantité disponible : 6 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. "Lucid and elegant.a tour de force."-A. O. Scott, NationThree lectures on the fraught process of poetic development from a titan of contemporary criticism. Style is the material body of lyric poetry. To cast off an earlier style is to commit an act of violence against the creative self. Why do poets so often make these dramatic breaks? In her 1994 Richard Ellman Lectures, Helen Vendler investigates poets' motives for inventing a new voice, along with their means of doing so. Exploring three archetypal ruptures, she yields a new view of the interplay of moral, emotional, and intellectual forces in each poet's work.Gerard Manley Hopkins's invention of sprung rhythm marks a radical break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins's aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next-from "nounness" to the "betweenness" of an adverbial style-shifts whose moral and political implications come under scrutiny here. And finally, Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from "deliberation" to cinematic "freeze-framing" to "coverage," each with its own meaning in this poet's career.Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels-including the rhythmic, the grammatical, and the graphic. A lucid reading of three poets and a superb exposition of the craft of poetry, The Breaking of Style revives our lapsed sense of what style means. N° de réf. du vendeur LU-9780674081215
Quantité disponible : 3 disponible(s)
Vendeur : Books on the Boulevard, Sherman Oaks, CA, Etats-Unis
Paperback. Etat : Very Good. The Richard Ellmann Lectures In Modern Literature; 139.7 X 10.16 X 209.55 millimeters; 100 pages. N° de réf. du vendeur 69539
Quantité disponible : 1 disponible(s)