The Image of the Black in Latin American and Caribbean Art is the first comprehensive survey of the visual representation of people of African descent in Latin America and the Caribbean, some twelve million of whom were forcibly imported into the Americas during the transatlantic slave trade. This second volume explores the period from the final abolition of slavery in Brazil and Cuba in the nineteenth century through the independence of the Caribbean islands to the present day. The images and essays here reveal the damaging legacy of colonialism and slavery and the vigorous efforts of Afrodescendant artists to assert their identity in the face of prejudice and denial.
These volumes complement the vision of Dominique and Jean de Menil, art patrons who, during the 1960s, founded an archive to collect images depicting the myriad ways that people of African descent have been represented in Western art from the ancient world to modern times. The Image of the Black in Latin American and Caribbean Art continues the de Menil family's original mission and brings to the fore a renewed focus on a rich and understudied area.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Bindman is Professor of the History of Art, Emeritus, at University College London. Alejandro de la Fuente is Robert Woods Bliss Professor of Latin American History and Economics, and Professor of African and African American Studies and History, at Harvard University. Henry Louis Gates, Jr., is Alphonse Fletcher University Professor at Harvard University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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