James Engell has prepared the first broad treatment of eighteenth- and early-nineteenth century British criticism to appear in a generation, presenting the views of scores of writers on a variety of questions, many of which remain live issues today.
While offering major reevaluations of Dryden, Hume, and Johnson, Engell demonstrates that eighteenth-century criticism cannot be represented by just a few major critics or by generalizations about Augustan taste, neoclassical rules, or "common sense." He presents a complex and highly varied body of theoretical writing and practical application by dozens of critics including Rymer, Addison, Welsted, Ramsay, Hurd, Gerard, Newbery, Campbell, Blair, Beattie, Jeffrey, and Hazlitt. He also analyzes the continued relevance of their critical work, drawing connections with modern writers such as Eliot, Frye, Saussure, Barthes, Culler, Bakhtin, and Lévi-Strauss. Engell concludes with a stimulating essay on the nature and function of the critical process itself. For students and scholars conversant with modern critical theory, Forming the Critical Mind will offer some surprising and interesting comparisons.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
James Engell is Professor of English and Comparative Literature at Harvard University and co-editor of the Bollingen edition of the Biographia Literaria for the Collected Works of Coleridge.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover with dust jacket. Etat : Gut. X, 322 p. Schutzumschlag mit Randläsuren und Einrissen, am Buchrücken lichtbedingt etwas ausgeblichen, Buchschnitt stellenweise angeschmutzt, innen sauber und ohne Anstreichungen / Dust jacket with edge tears and rips, spine somewhat faded due to light, book edge soiled in places, clean inside and without markings. - CONTENTS Introduction: The Originating Force of Eighteenth-Century Criticism PART ONE: METAMORPHOSES Practical Theorist: Dryden's "Variety of Models" I 2 The Paradox of Refinement: Progress and Decline in Literature 3 "So Far Retir'd from Happy Pieties": The Rise of Modern Myth PART TWO: JUDGMENT AND VALUES, LITERARY AND SOCIAL 4 Non Disputandum: Hume's Critique of Criticism 5 Estrangement: The Problem of Ethics and Aesthetics 6 Kinds, Canons, and Readers PART THREE: METHODS AND AIMS 7 Johnson and the Contraries of Criticism 8 The New Rhetoricians: Semiotics, Theory, and Psychology 9 What Is Poetry? Janus: Criticism and the Contemporary Notes Index. ISBN 9780674309432 Sprache: Englisch Gewicht in Gramm: 677. N° de réf. du vendeur 1242980
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Hardback. Etat : New. James Engell has prepared the first broad treatment of eighteenth- and early-nineteenth century British criticism to appear in a generation, presenting the views of scores of writers on a variety of questions, many of which remain live issues today.While offering major reevaluations of Dryden, Hume, and Johnson, Engell demonstrates that eighteenth-century criticism cannot be represented by just a few major critics or by generalizations about Augustan taste, neoclassical rules, or "common sense." He presents a complex and highly varied body of theoretical writing and practical application by dozens of critics including Rymer, Addison, Welsted, Ramsay, Hurd, Gerard, Newbery, Campbell, Blair, Beattie, Jeffrey, and Hazlitt. He also analyzes the continued relevance of their critical work, drawing connections with modern writers such as Eliot, Frye, Saussure, Barthes, Culler, Bakhtin, and Lévi-Strauss.Engell concludes with a stimulating essay on the nature and function of the critical process itself. For students and scholars conversant with modern critical theory, Forming the Critical Mind will offer some surprising and interesting comparisons. N° de réf. du vendeur LU-9780674309432
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