Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons "is the most comprehensive collection available of Kentridge s thoughts on art, art-making, and the studio. Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of drawing lessons. Incorporating elements of graphic design and ranging freely from discussions of Plato s cave to the Enlightenment s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons "is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge"makes us more aware of the mechanisms and deceptions through which we construct meaning in the world."
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William Kentridge is an animator, illustrator, printmaker, sculptor, and theater director based in Johannesburg, South Africa. A member of the American Philosophical Society, Kentridge's diverse works have been exhibited at museums worldwide, including the Museum of Modern Art, the Tate Modern, and Kunstmuseum Basel. As a director, he has staged productions of Shostakovich's The Nose and Berg's Lulu at the Metropolitan Opera and Mozart's The Magic Flute at the Brooklyn Academy of Music and Le Théâtre Royal de la Monnaie in Brussels.
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Vendeur : Bulrushed Books, Moscow, ID, Etats-Unis
Etat : Like New. LIGHTNING FAST SHIPPING! Like New Hardcover. Very minor cover scuffing. Ships Fast! N° de réf. du vendeur #242D-0089
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio.Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of "drawing lessons."Incorporating elements of graphic design and ranging freely from discussions of Plato's cave to the Enlightenment's role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms-and deceptions-through which we construct meaning in the world. Art, William Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and cannot be purely understood in the rational terms of academic disciplines. The studio is where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780674365803
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WH-9780674365803
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Vendeur : Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australie
8vo, 187pp. Colour and black & white illustrations. A near fine hardback copy in acetate dust jacket. Review sticker to ffep. N° de réf. du vendeur 131478
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. "A beautiful and necessary book.as brisk as it is insightful."-Choice South Africa's most celebrated artist on art, colonialism, and studio practice.Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio.Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of "drawing lessons."Incorporating elements of graphic design and ranging freely from discussions of Plato's cave to the Enlightenment's role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms-and deceptions-through which we construct meaning in the world. N° de réf. du vendeur LU-9780674365803
Quantité disponible : 17 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WH-9780674365803
Quantité disponible : 15 disponible(s)
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur 3a5d39bea2c73dd49b934f14c002d87d
Quantité disponible : Plus de 20 disponibles
Vendeur : art longwood books, Gloucester, MA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine Plus. First Edition /First Printing. cloth/natural linen, hardcover in clear printed acetate dust jacket, as issued., harvard university press promotional sheet laid-in., dj has a little of that rubbing common to such material, though it is of negligible impact. clean. no markings. no bumps, tears, creases. tight binding. ; english text.; 208pp., illustrated in color, b/w. the artist's lectures on art and art making. Size: 8vo - over 7¾" - 9¾" tall. N° de réf. du vendeur 24545
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Vendeur : Chapter 1, Johannesburg, GAU, Afrique du sud
hardcover. Etat : Good. Etat de la jaquette : Very Good. 2nd. hardcover with the original transparent plastic jacket. gift inscription. the book is a bit damp marked and wavy. included is 3 different cards depicting some of Kentridge's works. all pages are intact and legible. may require extra postage. [SK]. Our orders are shipped using tracked courier delivery services. N° de réf. du vendeur b96be
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 21177320-n
Quantité disponible : 1 disponible(s)