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Description du livre Hardcover. Etat : new. N° de réf. du vendeur 9780674365803
Description du livre Etat : New. N° de réf. du vendeur 21177320-n
Description du livre Etat : New. Book is in NEW condition. 1.1. N° de réf. du vendeur 0674365801-2-1
Description du livre Etat : New. New! This book is in the same immaculate condition as when it was published 1.1. N° de réf. du vendeur 353-0674365801-new
Description du livre HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WH-9780674365803
Description du livre Hardcover. Etat : New. N° de réf. du vendeur DADAX0674365801
Description du livre Hardcover. Etat : new. Hardcover. Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio.Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of "drawing lessons."Incorporating elements of graphic design and ranging freely from discussions of Plato's cave to the Enlightenment's role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms-and deceptions-through which we construct meaning in the world. Art, William Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and cannot be purely understood in the rational terms of academic disciplines. The studio is where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780674365803
Description du livre Etat : new. N° de réf. du vendeur FrontCover0674365801
Description du livre Hardcover. Etat : new. Buy for Great customer experience. N° de réf. du vendeur GoldenDragon0674365801
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