Chinese martial arts novels from the late nineteenth century are filled with a host of suggestive sounds. Characters cuss and curse in colorful dialect accents, vendor calls ring out from bustling marketplaces, and martial arts action scenes come to life with the loud clash of swords and the sounds of bodies colliding. What is the purpose of these sounds, and what is their history? In "Sound Rising from the Paper, " Paize Keulemans answers these questions by critically reexamining the relationship between martial arts novels published in the final decades of the nineteenth century and earlier storyteller manuscripts. He finds that by incorporating, imitating, and sometimes inventing storyteller sounds, these novels turned the text from a silent object into a lively simulacrum of festival atmosphere, thereby transforming the solitary act of reading into the communal sharing of an oral performance. By focusing on the role sound played in late nineteenth-century martial arts fiction, Keulemans""offers alternatives to the visual models that have dominated our approach to the study of print culture, the commercialization of textual production, and the construction of the modern reading subject.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Paize Keulemans is Assistant Professor of East Asian Studies at Princeton University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. Chinese martial arts novels from the late nineteenth century are filled with a host of suggestive sounds. Characters cuss and curse in colorful dialect accents, vendor calls ring out from bustling marketplaces, and martial arts action scenes come to life with the loud clash of swords and the sounds of bodies colliding. What is the purpose of these sounds, and what is their history? In Sound Rising from the Paper, Paize Keulemans answers these questions by critically reexamining the relationship between martial arts novels published in the final decades of the nineteenth century and earlier storyteller manuscripts. He finds that by incorporating, imitating, and sometimes inventing storyteller sounds, these novels turned the text from a silent object into a lively simulacrum of festival atmosphere, thereby transforming the solitary act of reading into the communal sharing of an oral performance. By focusing on the role sound played in late nineteenth-century martial arts fiction, Keulemans offers alternatives to the visual models that have dominated our approach to the study of print culture, the commercialization of textual production, and the construction of the modern reading subject. N° de réf. du vendeur LU-9780674417120
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Etat : New. Chinese martial arts novels from the late nineteenth century are full of suggestive sounds. Characters curse in colorful dialect accents, and action scenes come to life with the loud clash of swords. Paize Keulemans examines the relationship between these novels and earlier storyteller manuscripts to explain the purpose and history of these sounds. Series: Harvard East Asian Monographs. Num Pages: 370 pages, illustrations. BIC Classification: 2GDC; DSB. Category: (G) General (US: Trade). Dimension: 161 x 231 x 25. Weight in Grams: 612. . 2014. Hardcover. . . . . N° de réf. du vendeur V9780674417120
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