Synopsis
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Hillary L. Chute is Professor of English at Northeastern University.
À propos de la quatrième de couverture
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Résultats de recherche pour Disaster Drawn: Visual Witness, Comics, and Documentary...
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Disaster Drawn: Visual Witness, Comics, and Documentary Form
Edité par
Belknap Press, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
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Hardcover. Etat : Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0674504518I5N01
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Disaster Drawn: Visual Witness, Comics, and Documentary Form
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Ancien ou d'occasion
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Vendeur : Books & Bidders, Cleveland, OH, Etats-Unis
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Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. Grey cloth, silver gilt title in unclipped, mylar protected dust-jacket, (9.5 x 6.5 inches). First Edition/First Printing (First Printing stated on copyright page). 359 pages with extensive Notes and Index; color illustrations. This book is a critical study of the nature of trauma in visual narrative; it is a major work in comic studies. A clean, tight copy. N° de réf. du vendeur 007250
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Disaster Drawn
Edité par
Harvard University Press, US, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
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Hardback. Etat : New. In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first "Maus" story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of "atomic bomb manga," the comic book Ore Wa Mita ("I Saw It")-a title that alludes to Goya's famous Disasters of War etchings.Chute explains how the form of comics-its collection of frames-lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness. N° de réf. du vendeur LU-9780674504516
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Disaster Drawn (Hardcover)
Edité par
Harvard University Press, Cambridge, Mass., 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
Couverture rigide
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : new. Hardcover. In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first "Maus" story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of "atomic bomb manga," the comic book Ore Wa Mita ("I Saw It")-a title that alludes to Goya's famous Disasters of War etchings.Chute explains how the form of comics-its collection of frames-lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness. In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshimas Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780674504516
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Disaster Drawn - Visual Witness, Comics, and Documentary Form (eng)
Edité par
Belknap Press: An Imprint of Harvard University Press, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Etat : new. N° de réf. du vendeur 4849a0940aead3967d2fbcfea4e3dee0
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Disaster Drawn
Edité par
Harvard University Press, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
Couverture rigide
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WH-9780674504516
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Disaster Drawn
Edité par
Harvard University Press, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
Couverture rigide
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Évaluation du vendeur 5 sur 5 étoiles
Etat : New. In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war." Num Pages: 336 pages. BIC Classification: AKLC; FZG; JW. Category: (G) General (US: Trade). . . 2016. Hardcover. . . . . N° de réf. du vendeur V9780674504516
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Disaster Drawn
Edité par
Harvard University Press Jan 2016, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
Couverture rigide
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Buch. Etat : Neu. Neuware -In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first 'Maus' story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of 'atomic bomb manga,' the comic book Ore Wa Mita ('I Saw It')-a title that alludes to Goya's famous Disasters of War etchings.Chute explains how the form of comics-its collection of frames-lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness. 376 pp. Englisch. N° de réf. du vendeur 9780674504516
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Disaster Drawn
Edité par
Harvard University Press Jan 2016, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
Couverture rigide
Vendeur : Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Buch. Etat : Neu. Neuware -In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first 'Maus' story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of 'atomic bomb manga,' the comic book Ore Wa Mita ('I Saw It')-a title that alludes to Goya's famous Disasters of War etchings.Chute explains how the form of comics-its collection of frames-lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness. 376 pp. Englisch. N° de réf. du vendeur 9780674504516
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Expédition à EUR 23
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Disaster Drawn
Edité par
Harvard University Press, 2016
ISBN 10 : 0674504518
ISBN 13 : 9780674504516
Neuf
Couverture rigide
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Etat : New. In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war." Num Pages: 336 pages. BIC Classification: AKLC; FZG; JW. Category: (G) General (US: Trade). . . 2016. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780674504516
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Expédition nationale : Etats-Unis
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