It used to be a secret that, in its post-war heyday, the Broadway musical recruited a massive underground following of gay men. But though this once silent social fact currently spawns jokes that every sitcom viewer is presumed to be in on, it has not necessarily become better understood. In this text, D.A. Miller probes what all the jokes about the post-war Broadway musical laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience. D.A. Miller restores to their historical density the main modes of reception that so many gay men developed to answer the musical's call: the early private communion with the original cast albums; the later camping of show tunes in piano bars; and the still later reformatting of these same songs at the post-Stonewall disco. In addition, through an extended reading of "Gypsy", Miller specifies the nature of the call itself, which he locates in the post-war musical's most basic conventions: the contradictory relation between the show and the book; the mimetic tendency of the musical number; and the centrality of the female star. If the post-war musical may be called a "gay" genre, Miller demonstrates, this is because its regular but unpublicized work has been to indulge men in the thrills of a femininity become their own.
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Etat : Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00110227569
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00109649006
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. It used to be a secret that, in its post-war heyday, the Broadway musical recruited a massive underground following of gay men. But though this once silent social fact currently spawns jokes that every sitcom viewer is presumed to be in on, it has not necessarily become better understood. In this text, D.A. Miller probes what all the jokes about the post-war Broadway musical laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience. D.A. Miller restores to their historical density the main modes of reception that so many gay men developed to answer the musical's call: the early private communion with the original cast albums; the later camping of show tunes in piano bars; and the still later reformatting of these same songs at the post-Stonewall disco. In addition, through an extended reading of "Gypsy", Miller specifies the nature of the call itself, which he locates in the post-war musical's most basic conventions: the contradictory relation between the show and the book; the mimetic tendency of the musical number; and the centrality of the female star. If the post-war musical may be called a "gay" genre, Miller demonstrates, this is because its regular but unpublicized work has been to indulge men in the thrills of a femininity become their own. N° de réf. du vendeur CIN0674669908G
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Fair. It used to be a secret that, in its post-war heyday, the Broadway musical recruited a massive underground following of gay men. But though this once silent social fact currently spawns jokes that every sitcom viewer is presumed to be in on, it has not necessarily become better understood. In this text, D.A. Miller probes what all the jokes about the post-war Broadway musical laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience. D.A. Miller restores to their historical density the main modes of reception that so many gay men developed to answer the musical's call: the early private communion with the original cast albums; the later camping of show tunes in piano bars; and the still later reformatting of these same songs at the post-Stonewall disco. In addition, through an extended reading of "Gypsy", Miller specifies the nature of the call itself, which he locates in the post-war musical's most basic conventions: the contradictory relation between the show and the book; the mimetic tendency of the musical number; and the centrality of the female star. If the post-war musical may be called a "gay" genre, Miller demonstrates, this is because its regular but unpublicized work has been to indulge men in the thrills of a femininity become their own. N° de réf. du vendeur CIN0674669908A
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Vendeur : Sell Books, Elland, YORKS, Royaume-Uni
hardcover. Etat : Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. N° de réf. du vendeur SBAB-L-BQP00435-MIX-20250917-G
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Vendeur : Sutton Books, Norwich, VT, Etats-Unis
Etat : As New. Etat de la jaquette : As New. Hbk, 141pp, illustr, an unread copy, excellent, clean, tight and unmarked in fine, unclipped and sleeve-protected dj, as new. N° de réf. du vendeur Mu1501A
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Vendeur : CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Hardcover. Etat : Fine. Etat de la jaquette : Fine. Hardcover, in dust jacket. Clean, tight and unmarked. Very neat -- a sound and handsome copy. Size: 8vo - over 7¾ - 9¾" tall. Book. N° de réf. du vendeur 81571n63mc
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Vendeur : Glands of Destiny First Edition Books, Sedro Woolley, WA, Etats-Unis
Hardcover. Etat : Like New. Etat de la jaquette : Like New. First Edition. Publisher: Harvard University Press, Cambridge, 1998.FINE hardcover book in FINE mylar-protected dust-jacket. As new. Unread. First Edition, First Printing. N° de réf. du vendeur 2210060014
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