One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical execution. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism, the operas of Verdi, musical taste, musical snobbery, the influence of political ideas on Russian music under the Soviets, musical improvisation as opposed to musical construction, the nature of melody, and the function of the critic of music. Musical people of every sort will welcome this first presentation in English of an unusually interesting book.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Igor Stravinsky (1882-1971) was one of the twentieth century's most admired and influential composers, conductors, and music theorists. His ballets and symphonies, including The Firebird, Petrushka, and The Rite of Spring, cemented his central place in the evolution of musical modernism.
George Seferis (1900-1971) was a Nobel Prize-winning Greek poet, essayist, and diplomat. One of the most influential Greek authors of his generation, he received honorary doctorates from Cambridge, Oxford, and Princeton, and was made an honorary foreign member of the American Academy of Arts and Sciences. From 1957 to 1962, he served as Greek Ambassador to the United Kingdom.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. InhaltsverzeichnisPreface by George Seferis 1. Getting Acquainted 2. The Phenomenon of Music 3. The Composition of Music 4. Musical Typology 5. The Avatars of Russian Music 6. The Performance of Music Epilogue. N° de réf. du vendeur 166290310
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Paperback. Etat : New. One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical execution. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism, the operas of Verdi, musical taste, musical snobbery, the influence of political ideas on Russian music under the Soviets, musical improvisation as opposed to musical construction, the nature of melody, and the function of the critic of music. Musical people of every sort will welcome this first presentation in English of an unusually interesting book. N° de réf. du vendeur LU-9780674678569
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Softcover. Translated from the French by Arthur Knodel and Ingolf Dahl. xiii, 142 pp. Originally presented as the Charles Eliot Norton Lectures on Poetry at Harvard University. originally presented under the title Poetique musicale sous forme de six lecons. Softcover. LCC: 7999520 Good condition; on covers: moderate yellowing, and a few touches of wear; printing defect: text on covers is not exactly aligned to quadrant. N° de réf. du vendeur LL08121059
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