Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror.
Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust? Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman's evocative meditation on memory. These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
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Softcover. Etat : Fair. Anmerkungen / bekritzelt / Stempel; Leichte Kratzer / Abnutzungen / Druckstellen. Can the Holocaust be effectively described or represented, or is there an inherent aspect of the extermination of Jews in Europe that eludes our narrative capabilities? This volume features twenty scholars who examine the moral, epistemological, and aesthetic boundaries of portraying the Nazi horror. Their essays address urgent questions that demand our attention, conscience, and cultural memory. Originally presented at a conference organized by Saul Friedlander, these discussions are now available for broader consideration. Scholars like Christopher Browning, Hayden White, and Carlo Ginzburg explore whether historical events can be objectively recorded through documents and witnesses or if every interpretation is shaped by the narrator's perspective. This raises ethical issues surrounding relativization. Additionally, they investigate how to historicize National Socialism without downplaying the Holocaust's significance. The volume also tackles the challenges of artistic representation, with contributors like John Felstiner and Yael S. Feldman confronting the limitations of language in expressing the Holocaust. Others consider how Nazi policies fit into the broader history of Western thought and science. The book concludes with Geoffrey Hartman's poignant reflection on memory. N° de réf. du vendeur 115f9e0d-eb78-454e-bda9-d6279dd98ca7
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