In-8° pp. 242 con foto n.t. Leg. edit. con sovrac. ill.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
When he stands before Giorgione's La Tempesta, Booker Prize-winning author John Berger sees not only the painting but our whole notion of time, sweeping us away from a lost Eden. A photograph of a gravely joyful crowd gathered on a Prague street in November 1989 provokes reflection on the meaning of democracy and the reunion of a people with long-banished hopes and dreams.
With the luminous essays in Keeping a Rendezvous, we are given to see the world as Berger sees it -- to explore themes suggested by the work of Jackson Pollock or J. M. W. Turner, to contemplate the wonder of Paris. Rendezvous are manifold: between critic and art, artist and subject, subject and the unknown. But most significant are the rendezvous between author and reader, as we discover our perceptions informed by Berger's eloquence and courageous moral imagination.
When he stands before Giorgione's La Tempesta, John Berger sees not only the painting but our whole notion of time, sweeping us away from a lost Eden. A photograph of a gravely joyful crowd gathered on a Prague street in November 1989 provokes reflection on the meaning of democracy and the reunion of a people with long-banished hopes and dreams.
With the luminous essays in Keeping a Rendezvous, we are given to see the world as Berger sees it -- to explore themes suggested by the work of Jackson Pollock or J. M. W. Turner, to contemplate the wonder of Paris. Rendezvous are manifold: between critic and art, artist and subject, subject and the unknown. But most significant are the rendezvous between author and reader, as we discover our perceptions informed by John Berger's eloquence and courageous moral imagination.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Zoom Books Company, Lynden, WA, Etats-Unis
Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. N° de réf. du vendeur ZBV.0679406328.VG
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Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
Etat : good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. N° de réf. du vendeur GWV.0679406328.G
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0679406328I3N00
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Vendeur : H. W. Gumaer, Bookseller, Canandaigua, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Near Fine. First Printing, First U.S. Edition. A collection of essays, most from the 1980s by one of the best English art critics, poets and novelists, sharing his vision on painting, photography, time and reality. Top end of spine lightly bumped, lettering on spine worn in spots but still legible, some light soiling to boards, o/w boards and text are clean and unmarked, tight and square, not remaindered. Dustjacket shows slight bumping at top of spine and top corners, no tears, not price-clipped. Scarce. Collectable. N° de réf. du vendeur 003631
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Vendeur : Saul Field - Bookseller, Kingston, ON, Canada
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st American edition. 1st American edition. Pantheon Books, 1991. Hardcover. Very Good. Dust jacket very good. Text is clean and unmarked. N° de réf. du vendeur 331
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