Book by Hardy Thomas
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A SATURDAY afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor.
The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an instalment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky. Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking dread.
In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time. It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn: then, and only then, did it tell its true tale. The spot was, indeed, a near relation of night, and when night showed itself an apparent tendency to gravitate together could be perceived in its shades and the scene. The sombre stretch of rounds and hollows seemed to rise and meet the evening gloom in pure sympathy, the heath exhaling darkness as rapidly as the heavens precipitated it. And so the obscurity in the air and the obscurity in the land closed together in a black fraternization towards which each advanced half-way.
The place became full of a watchful intentness now; for when other things sank brooding to sleep the heath appeared slowly to awake and listen. Every night its Titanic form seemed to await something; but it had waited thus, unmoved, during so many centuries, through the crises of so many things, that it could only be imagined to await one last crisis—the final overthrow.
THOMAS HARDY, whose writings immortalized the Wessex countryside and dramatized his sense of the inevitable tragedy of life, was born near Egdon Heath in Dorset in 1840, the eldest child of a prosperous stonemason. As a youth he trained as an architect and in 1862 obtained a post in London. During this time he began seriously to write poetry, which remained his first literary love and his last. In 1867-68, his first novel was refused publication, but Under the Greenwood Tree (1872), his first Wessex novel, did well enough to convince him to continue writing. In 1874, Far from the Madding Crowd, published serially and anonymously in the Cornhill Magazine, became a great success. Hardy married Emma Gifford in 1874, and in 1875 they settled at Max Gate in Dorchester, where he lived the rest of his life. There he wrote The Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the d’Urbervilles (1891), and Jude the Obscure (1895). With Tess, Hardy clashed with the expectations of his audience; a storm of abuse broke over the “infidelity” and “obscenity” of this great novel he had subtitled “A Pure Woman Faithfully Presented.” Jude the Obscure aroused even greater indignation and was denounced as pornography. Hardy’s disgust at the reaction to Jude led him to announce in 1896 that he would never write fiction again. He published Wessex Poems in 1898, Poems of the Past and Present in 1901, and from 1903 to 1908, The Dynasts, a huge drama in which Hardy’s conception of the Immanent Will, implicit in the tragic novels, is most clearly stated. In 1912, Hardy’s wife, Emma, died. The marriage was childless and had long been a troubled one, but in the years after her death, Hardy memorialized her in several poems. At seventy-four, he married his longtime secretary, Florence Dugdale, herself a writer of children’s books and articles, with whom he lived happily until his death in 1928. His heart was buried in the Wessex countryside; his ashes were placed next to Charles Dickens’s in the Poet’s Corner of Westminster Abbey.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Reprint. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 12420497-75
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 39132606-6
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Vendeur : The Maryland Book Bank, Baltimore, MD, Etats-Unis
hardcover. Etat : Very Good. Reprint. Used - Very Good. N° de réf. du vendeur 3-VV-4-0172
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Vendeur : Time Traveler Books, Pittsburgh, PA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. First Printing. Remainder dot. ; Full number line. ; The Modern Library Of The World's Best Books; Remainder; 418 pages. N° de réf. du vendeur 32841
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Vendeur : Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, Etats-Unis
Hard Cover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Thus. 1994 first thus, no Toledano number (formerly released as 121.1), $13.00 jacket price, brown decorative endpapers with an updated rendering of Modern Library's iconic torchbearer. Board edges a bit faded. xix, 418 pp. The Companion Volume to the Hallmark Hall of Fame Presentation. Introduction by Alexander Theroux. The native of Thomas Hardy's 1878 novel "The Return of the Native" is Clym (Clement) Yeobright, a young man who gives a successful career as a diamond merchant in Paris to return to his native Egdon Heath to become a Schoolmaster and to help educate poor and ignorant children. Clym's character is contrasted by Eustacia Vye, a beautiful young woman who longs to escape Egdon Heath for a more glamorous life elsewhere. Hearing of Clym's return she pursues him with hopes of him taking her away to that more glamorous life which she seeks. A captivating novel of the Victorian era, Hardy's "The Return of the Native" dramatically underscores the idea that regardless of our desires, in the end we are truly helpless to escape our destiny. N° de réf. du vendeur 2325035
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Vendeur : Southampton Books, Sag Harbor, NY, Etats-Unis
Hardcover. Etat : Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Modern Library, 1994. Octavo. Hardcover. Book is very good with light spotting on page ends. Dust jacket is very good.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. N° de réf. du vendeur 339346
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Vendeur : Dan Glaeser Books, Modesto, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Modern Library Edition. Text is clean. Cover and dust jacket show only limited wear. Base of spine bumped. States 1994 Modern Library Edition with full number line including '1'. ; Toledano Binding style 'G10', Bernhard endpapers, Dust Jacket style 'Gm'.; Modern Library Giant; 418 pages. N° de réf. du vendeur 32065
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