Focusing on Angelopoulos' cinematic vision, this text provides a contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. The book situates the director in the context of over 3000 years of Greek culture and history. Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine inconography and ceremony, Greek and Balkan history, modern Greek pop culture (including bouzouki music), shadow puppet theatre and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera and a distinctive director.
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Andrew Horton is Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma. He is the author of Writing the Character Centered Screenplay, Russian Critics on a Cinema of Glasnost, and Comedy/Cinema/Theory, and coauthor, with Michael Brashinsky, of The Zero Hour: Glasnost and Soviet Cinema in Transition.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Destinations, frais et délaisVendeur : Avol's Books LLC, Madison, WI, Etats-Unis
Hardcover. Etat : Good. Etat de la jaquette : Fine. Non-returnable. Pencil marginalia and underlining throughout. Inscribed by author on Dedication page to American film theorist and film historian David Jay Bordwell and American film theorist and author Kristin Thompson. Reading copy. Inscribed by Author(s). N° de réf. du vendeur 227480
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