The pavilion designed by Le Corbusier for the Philips Company at the 1958 Brussels World's fair broadcasted a landmark multimedia production. The nearly two million visitors who entered the pavilion were treated not to the usual display of consumer products, but to a dazzling demonstration of cutting-edge technology in the service of the arts. This totally automated spectacle consisted of colour, voice, sound, and images sperimposed in a curvilinear space of concrete, orchestrated by Le Corbusier and his colleagues into a 480-second program. Here, Marc Treib looks at both this collaboration and the significance of the Philips project. Achieving for the first time his interest in using electronic media as a synthesis of the arts, Le Corbusier worked with the filmaker Philippe Agostini, the graphic designer and editor Jean Petit, the architect/composer Iannis Xenakis, and the composer Edgar Varese, whose piece "Poeme electronique" was composed for this project. Treib explains the idea and development of the building design - based on the geometry of the hyperbolic paraboloid - and how this ambitious vision materialized through an innovative system of precast concrete panels, engineer
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Marc Treib is Professor of Architecture at the University of California at Berkeley. He is the author of Sanctuaries of Spanish New Mexico and editor of Modern Landscape Architecture: A Critical Review and An Everyday Modernism: The Houses of William Wurster.
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Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Hardback. First Edition. 22 x 29cm 280pp near fine hardback in dust jacket. The pavilion designed by Le Corbusier for the Philips Company at the 1958 Brussels World's fair broadcasted a landmark multimedia production. The nearly two million visitors who entered the pavilion were treated not to the usual display of consumer products, but to a dazzling demonstration of cutting-edge technology in the service of the arts. This totally automated spectacle consisted of colour, voice, sound, and images sperimposed in a curvilinear space of concrete, orchestrated by Le Corbusier and his colleagues into a 480-second program. Here, Marc Treib looks at both this collaboration and the significance of the Philips project. Achieving for the first time his interest in using electronic media as a synthesis of the arts, Le Corbusier worked with the filmaker Philippe Agostini, the graphic designer and editor Jean Petit, the architect/composer Iannis Xenakis, and the composer Edgar Varese, whose piece "Poeme electronique" was composed for this project. Treib explains the idea and development of the building design - based on the geometry of the hyperbolic paraboloid - and how this ambitious vision materialized through an innovative system of precast concrete panels, engineer. With black and white reproductions throughout. Near fine in near fine dustjacket. N° de réf. du vendeur 29201
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. N° de réf. du vendeur 108087
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
hardcover. Etat : Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82906910213766
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