Articles liés à Music and Discourse
Synopsis
In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as "what is a musical work" and "what constitutes music" Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives.
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Présentation de l'éditeur
In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as "what is a musical work" and "what constitutes music" Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives.
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Music and Discourse: Toward a Semiology of Music
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Princeton University Press, 1990
ISBN 10 : 0691027145
ISBN 13 : 9780691027142
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Music and Discourse: Toward a Semiology of Music
Edité par
Princeton University Press, 1990
ISBN 10 : 0691027145
ISBN 13 : 9780691027142
Ancien ou d'occasion
Paperback
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
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Music and Discourse : Toward a Semiology of Music
Edité par
Princeton University Press, 1990
ISBN 10 : 0691027145
ISBN 13 : 9780691027142
Ancien ou d'occasion
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Music and Discourse
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Princeton University Press (edition 3rd), 1990
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ISBN 13 : 9780691027142
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Music and Discourse: Toward a Semiology of Music
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Princeton University Press, 1990
ISBN 10 : 0691027145
ISBN 13 : 9780691027142
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Music and Discourse
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Princeton University Press, 1990
ISBN 10 : 0691027145
ISBN 13 : 9780691027142
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MUSIC AND DISCOURSE: TOWARD A SEMIOLOGY OF MUSIC
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Princeton University Press, Princeton, 1990
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ISBN 13 : 9780691027142
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Music and Discourse - Toward a Semiology of Music
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Music and Discourse: Toward a Semiology of Music
Edité par
Princeton University Press, 1990
ISBN 10 : 0691027145
ISBN 13 : 9780691027142
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Music and Discourse: Toward a Semiology of Music
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Princeton University Press, 1992
ISBN 10 : 0691027145
ISBN 13 : 9780691027142
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Etat : New. 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454. . . . . . N° de réf. du vendeur V9780691027142
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